Photography by Tejas Shah

For the love of clay

Vinod Daroz's minimalist studio in Vadodara is a laboratory, safe haven and archive, all at once

BY

Ceramic artist Vinod Daroz’s most memorable anecdote from college is when he spent two years trying to perfect a single glaze — much to the dismay of his faculty at The Maharaja Sayajirao University of Baroda. Glazes are infamous in the ceramic industry for being unpredictable, changing hues with the tiniest temperature fluctuation. “I told my teacher that there’s only one glaze. If I apply it thickly, it will turn blue. If I apply it thinly, it will turn green. I want that glaze,” recalls Vinod. And as luck would have it, the last round of firing before the deadline yielded the result he’d been waiting for.

Decades later, the pursuit of that elusive glaze continues to shape Vinod’s dogged approach to his practice, as well as the two-storey workspace that he has built around it. Created in collaboration with Mitul Shah of Studio Yamini Architects, the lower floor here, too, is peppered with glaze samples. This is where you’ll find the globe-trotting ceramicist, painstakingly working away to bring his creations to life. A red staircase leads to an archival gallery upstairs, filled with pieces from the many collections he’s made across his illustrious, 30-year-long career.

Glazing techniques are very similar to cooking. That’s the reason why many people say ceramic artists are very good cooks!

Photography by Tejas Shah

“You know, all ceramic students need to work is a chair and an open space,” he laughs. So why the brick- and-mortar address? A few years ago, a visiting Swiss artist had declared his previous studio unfit for international workshops, which prompted Vinod to consider a revamp. “I wanted it to be minimalist and well-equipped: perfect for anybody who wants to work here,” the artist professes. A blink-and-you’ll- miss-it detail? Keep your eyes peeled for the tiny ceramic flowers embedded in the floor!

SNEAK PEEK INTO

Vinod Daroz’s studio in Vadodara, where you’ll find gilded ceramic pieces perched amidst a minimalist, pared-back space

I’m inspired by…

South Indian temples. The vibrant entrance gates leading to the Meenakshi temple, the shikhara, the shivling… I like to minimise these forms with hints of metal

You’ll notice that…

I use a lot of gold in my work. I don’t personally wear any gold at all, but you’ll always spot it in my work. People say it’s because I’m a jeweller’s son!

Photography by Tejas Shah
Photography by Tejas Shah

One moment I’ll never forget…

I’d once participated in a travelling exhibition in China. On the opening day, a Chinese collector came and bought everything I’d made

A new find I’m excited about…

Spanish lustre glazes. They’re very unpredictable. A single colour will show up differently in each piece

You’d be surprised to know that….

Glazing techniques are very similar to cooking. That’s the reason why many people say ceramic artists are very good cooks!

Read more: For Nacho Carbonell creating is like therapy!

Photography by Tejas Shah
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