Weespaces

A swansong for country living

This Belgaum villa by Weespaces epitomises modern Indian rusticity

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At the foothills of the Western Ghats, an unpretentious three-bedroom home emerges with vaulted rafter ceilings, low-hung archways and a mango orchard that lovingly cossets the house. When the homeowners, after years of living in the Middle East, jumped at the chance to retire in the astonishingly scenic enclave of Mango Meadows in Belgaum, Karnataka, all they wanted was a 3,500 sq ft duplex villa forged in this bucolic setting. What follows is how the Bengaluru-based design firm Weespaces by Vinithra Amarnathan rejigged the space in a modern Indian farmhouse style, gut-remodelling the layout to make every nook and cranny as airy and sun-drenched as possible. 

Rustic minimalism; earthy, outdoorsy hues; everything instinctively layered. “We went for a pared-down aesthetic and refrained from heavy materiality and detailing to create a simple, light-filled gentleness that is reminiscent of old generational homes,” says principal designer Vinithra. In a restrained, hybridised take on country living, the interiors are a confluence of the vintage and the contemporary: an armful of wabi-sabi-style black ceramic vases in the foyer, an Annapakshi Vilakku brass lamp in the living room, a smattering of green-glass demijohns in the son’s bedroom, urli bowls hanging from intricate lotus-cup chains in the reading nook upstairs, and, ubiquitously, rattan furniture all around.

Weespaces
The living room includes custom-made sofas from Chester's, a Jaipur Rugs offering underfoot, and a geometric chandelier from West Elm; Photography by Shamanth Patil

Under the spell of rafters

Perched like a belvedere in the lee of the Sahyadri mountains, the arresting beauty of this home called Amber & Grain is in how natural light gathers under its rafters like a long-cast spell and how, like the landscape it sits in, the villa is steeped in an off-grid melange of terracottas, olives and misty greys. To offset the ivory-toned walls and understated marble floors, Vinithra introduced two dusty-rose sofas that mirror each other in the open-concept living room, naturally framing a jhulha suspended from the ceiling with heavy-duty cords as the focal point, while conferring a conversational quality upon the space. 

Combined with French windows through which it’s hard to resist drifting out into the tropical garden and espresso-coloured timber beams running across the vaulted ceilings, the light pouring in lends the living room a certain pastoral dreaminess. And then there are the evocative accents, like the cast-brass Buddha sculpture atop a mid-century console, or the gouache artwork of rural vignettes by Richa Kashelkar.

Weespaces
The lounge is swathed in muted browns, with a sectional sofa at its centre, artwork by Namrata Kumar and a lamp from Pottery Barn; Photography by Shamanth Patil
Weespaces
Ribbed white ottomans, a nested coffee table by Cross Grain Furniture Design, and an indoor swing by Wooden-It-Be-Nice create an inviting, conversational zone; Photography by Shamanth Patil

A rich, tactile experience

Few gratifying liberties were taken in the family lounge, where a polished wooden chevron floor and a biscuit-brown grid accent wall splendidly bear witness to multi-textured throws and sectional seating, paired with a light oak-finished tray table that wraps fastidiously over the ottoman. A loose, languid fluidity prevails thanks to the inspired use of smooth, rounded archways that grace every room on the ground floor, creating effortless transitions between the living room, dining parlour, kitchen and family lounge. 

The dining parlour is spartan in furniture and submerged in sunlight, a familial scene where a wooden trestle dining table is tucked in with a cosy picnic bench. A masterful attention to tactility is equally evident in the kitchen: sage-green fluted panelling for the island base, surrounded by virginal white countertops; rich caramel leather-upholstered bar chairs; and brushed-brass pendant lights. Things become more nostalgic still as we climb the stairs, with their simple metal balusters and marble underfoot, to the first floor.

Weespaces
An X-base trestle table set, sheer taupe curtains, and a drum-shaped pendant by Olie Lighting come together in the dining area; Photography by Shamanth Patil
Weespaces
Botanical prints and landscapes, translucent vases, and rattan-detailed furniture pop up again and again throughout the residence; Photography by Shamanth Patil

Less is more

The idea for the master bedroom, with its lustrous grasscloth wallpaper and exposed ceiling beams drawing the eye upward, was to create something “neutral but embodying multiple textures,” says principal designer Vinithra Amarnathan. Peep inside the son’s bedroom and you will find a scaled-down bed with tapered legs, snugly fitting Roman blinds, bold oversized demijohns, and the fine geometric webbing of woven cane on the dresser drawers, all of which add a lived-in comfort to the room’s sharp architectural lines. Spherical light fixtures, botanical-inspired art and open-grain oak floors recur throughout, turning the experience of exploring the house into a fascinating journey where unexpected details are slowly revealed. 

Beyond the bedrooms lies a Japandi-infused reading nook with cylindrical bamboo lanterns, an L-shaped built-in banquette flanking the window, and a dramatic, high-angled vault that slopes downward to create a highly desirable cocoon effect. All these impressions crystallise into a scenic picture of the homeowners and the restful, autumnal season of life they find themselves in. Despite the generously proportioned spaces that underpin Amber & Grain, there is, perhaps ironically, a sparseness here too. As Vinithra discovered, it was challenging to stay true to the austerity the family was seeking and refrain from adding unnecessary elements to the space.

Read more: Encasa Archstudio plays with contours and concrete at this multigenerational home in Kerala

Weespaces
An all-white reading nook on the first floor bridges the bedrooms with a built-in window seat; Photography by Shamanth Patil
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