Daylight Saving
“We treated light like the lead material, everything else was chosen to hold it, soften it, and reflect it,” share Roozmehr and Cherag. Olive runs vertically along the staircase wall before reappearing in matte velvet dining chairs, kitchen shutters and geometric floor tiles, creating small interruptions within the otherwise restrained shared spaces. Matte velvet, distressed stone, glazed ceramic, jute and timber each handle brightness differently across the home, allowing rooms to shift in tone without breaking the calm of the larger palette.
That shift becomes more pronounced in the private rooms, with each room taking on its own tonal character. The master bedroom pairs distressed gray Indian stone with a soft powder blue backdrop, giving the space a cooler, steadier rhythm suited to the senior couple. In the son’s suite, the palette deepens into Bordeaux tones and more fluid forms, introducing a denser register within the home’s otherwise airy shell.
The daughter’s room takes cues from her inclination towards nature, pairing olive tones with timber flooring and jute-textured walls that soften both light and surface across the space. Some of the richest material moments are tucked into smaller pockets of the home. Near the theatre, deep blue glazed ceramic tiles wrap the powder room walls above a black-and-white wave-patterned floor, catching and reflecting light far more sharply than the matte finishes used elsewhere. Upstairs, the study and den shift into terracotta walls, walnut veneer and timber fluting, allowing the topmost level to feel warmer, darker and more cocooned by evening.
Read more: A 65th-floor Mumbai home by RC Design Studio finds its footing in walnut, marble, and light