Photography by Keith Ezekiel Joy

Thought that counts

At Dhruv Kapoor’s store in New Delhi, you’ll find a curated soundscape, a bespoke scent and an unrelenting conviction in intentional design

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What we wear says more about us than we often admit. It signals what we value, what we resist and what we aspire towards. But what of the space that retails what we wear? What does a store reveal about its patron, and more importantly, about its designer? Dhruv Kapoor is a man of few words, yet his clothes speak with unmistakable clarity. A foil to his bold oeuvre, the store presents itself almost as a meditation enclave. Yet beneath the restraint lies the same dialogue that defines his garments: past and future, memory and projection, instinct and intention. Inside the store, a sprawling expanse of white unfolds at an alternate tempo to the clangour of New Delhi. Each element is chosen with deliberation and care. The lighting is uniformly calibrated to ensure accurate colour perception, allowing the garments to be experienced exactly as intended. From a restrained material palette to a custom-developed scent, every detail contributes to a mindful experience. Perhaps the most curious element is the soundscape. “I built a very large Spotify playlist with a mix of ambient house. It’s all maintained under 150 hertz to preserve a sense of calm, before it turns into a club or makes you sleepy,” Dhruv says, “It’s right at the correct spot to keep you alert.” Alertness is essential for awareness in a space that aspires for perfection, but also realises that the pursuit is not flawlessness but sensitivity to the human spirit. At the entrance, a marble surface bears the words: You are your deepest desire. As your desire, so is your will. As your will, so is your deed. As your deed is, so is your destiny. The quotes displayed change every fifteen days, a reminder, as Dhruv notes, that transformation is embedded in the clothes themselves. For him, design cannot be half-hearted. Intention seeps into everything he attempts. Intent and conviction together become the backbone of design. 

Photography by Keith Ezekiel Joy

Dhruv Kapoor presented his Fall/Winter 2027 co-ed collection at Milan Fashion Week, framing the season through a meditation on the liminality of spaces defined less by destination and more by passage. Drawing from environments of transit such as airports, hotel lobbies, corridors, stairwells, and elevators, the collection reflects on the choreography of movement and pause, where time unfolds in fragments rather than fixed moments. It is within these thresholds that he locates his narrative, observing how bodies inhabit, adjust and drift through such in-between states.

The palette moves with similar restraint and interruption: sharp neutrals and uniform tones dissolve into grounded, dusty hues, punctuated by sudden, almost incidental bursts of brightness. Materiality follows this oscillation between utility and refinement, with padded nylons and bonded leather sitting alongside silk, denim, cashmere, cotton and handwoven wool. Together, they negotiate weight and lightness, protection and exposure. Rather than pursuing a polished finality, the garments appear shaped by use. Creased, adjusted, and responsive, together they suggest a wardrobe that evolves in motion, attuned to the transient rhythms it draws from.

Read more: TMT bars, galvanised steel and a workshop with tools aplenty? At Objectry’s store in New Delhi, the act of making takes centre stage

Photography by Keith Ezekiel Joy
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