kinwani house

Rerouting to Garhwal and the Ganges

The restored art deco estate, Kinwani House, lets adventure and staycation coexist

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A knock later, the staff glided from the door till the table in my room, with a large thali of Garhwali delicacies looking right back at me. There were about ten different dishes and each resembled a recipe only a cosy meal at home can guarantee. I was at Kinwani House, Araiya Anthology in Uttarakhand. My late evening arrival had left me to casually study the intriguing novelty of Pahadi ingredients as my first point of contact with the localness of the region. From the heirloom red rice and Mandua (fingermillet) rotis to aloo ki thechwani, raita made with wild mustard seeds and Jhangore (Barnyard millet) ki kheer, the earthy colours and textures on the thali caressed my sight before I finally dug into it. 

The next morning, yet another introduction to the region comes rushing to me as I step out on the porch outside my room. Cedar trees punctuate the view, skies look startlingly clear and the foothills of the Himalayas stretch into distance. But Kinwani House comes with a history of its own. Located in Narendra Nagar, once the princely capital of Tehri Garhwal, the two-storey property stands guard as a relic of the town’s past, ornamented in an Art Deco flair and just a convenient 30-min drive to the scenic town of Rishikesh.

Facts tell me that it was originally built as a residence by Maharani Kamlendumati for her younger sons in 1952. Fast forward decades later, its restoration by Anil Singh and owner Aditya Paul Lakhanpal resisted the temptation to overdo what already existed, retaining its original form, structure and a conspicuous personality of a home that evidently lived another life before becoming a holiday retreat. Its period details, graceful proportions and a sensibility of the past sit comfortably against gardens and the vast, ever-changing theatre of the Garhwal Himalayas beyond.

"Even the former first-floor terrace has been reimagined as a glass conservatory, an airy escape within an escape seemingly!"

Pockets of picturesque views

Holding an Agatha Christie book in my hand, I barely catch a few lines sitting on the porch before the cool breeze rustles the pages and makes me look up to the surroundings instead. Spread across two floors and six suites, the house seems almost deliberately porous to its surroundings. Balconies and verandahs repeatedly turn the eye towards the rippling foothills of Garhwal, refusing to let the landscape remain simply a view outside the window.

Stay still or keep traversing, the boutique property seems to have its own ways of revelation. The cool, mottled surface of terrazzo stretches across floors, leading to fireplaces shaped by the clean-lined vocabulary of Art Deco, hand-carved balustrades and deep teak verandahs. Even the former first-floor terrace has been reimagined as a glass conservatory, an airy escape within an escape seemingly, which catches the moving light through the day before becoming, by evening, a rather enchanting room for a drink, a meal and a little stargazing. The same conservatory, one dewy morning, found me meditating to the lulling sound of the flute being played live. 

Along Uttarakhand’s roads

A string of adventures come packaged with the idea of staying at Kinwani House. One evening took us to Shatrughan Ghat for the Ganga aarti. Away from the crowds one instinctively associates with the ritual, the ghat revealed a quieter vantage point, with the river, mountains and Ram Jhula assembling themselves into the near-far backdrop. There was enough spectacle in the aarti itself; the surroundings did not feel the need to compete. Then came the 6 am wake-up call for the trek to Kunjapuri Temple. At that hour, the idea seemed more ambitious than appealing. But the early start soon gave way to a changing landscape of mountain paths, crisp air and views that dissolved everything else in the background. 

The silhouettes of Uttarakhand were not new to me, but Kinwani House offered a different way of encountering them. The Garhwali thali that arrived on my first evening, the former royal residence I returned to afterwards, the flicker of ceremony by the Ganga and the rather ambitious 6 am climb towards Kunjapuri—all became their own introductions to the same landscape, each revealing a different side of Garhwal.

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