Homes

Hiren Patel takes us through Gopin — a lush villa inspired by the countryside, capturing stunning vantages through its architecture

JAN 26, 2024 | By Shriti Das
Inspired by floor standing diyas of southern India, the majestic sculptures are devised and detailed by the architect himself. Standing tall at 18 feet they are engineered in steel and painted in a resplendent shade of wine that domineer over the stunning landscape with frangipanis, date palms, banyan trees and flowering shrubs;
Inspired from temples in Kerala, the Ram Darbar uses Saint Gobain shingles on its roof emulating the former’s roofs that are originally crafted in copper. Created with a metal screen bearing motifs that are seen in various elements throughout Gopin, the cascading wall of the Ram Darbar is an abstraction of temple architecture in Kerala;
Designed to accommodate huge gatherings, the dining area is a confluence of multiple styles ranging from Pottery Barn accessories, tableware from MUJI, tabletop from Bali, a chandelier from Klove Studio and chairs made at Wallyin;
Quintessentially homegrown is the teakwood jhoola that is made locally for the project whilst the day bed and coffee table are procured from Bali to adorn the verandah with natural marble mosaic flooring overlooking a serene reflection pool;

Produced by Mrudul Pathak Kundu

A tropical forest envelopes us as we step into Gopin, an exquisite villa located on the outskirts of Surat. Situated next to the bank of river Tapi, the precinct teases us with its built forms meandering within and beyond dense foliage. A labour of love and lasting friendship, Hiren Patel, principal architect at his practice Hiren Patel Architects has built the abode for his friend and industrialist Lavjibhai Daliya with a simple and straightforward brief.

Hiren Patel
Engulfing a massive volume with a bamboo ceiling, the artwork on the wall is created by the architect to impart depth and dimension to the massive space; Photography by Ishita Sitwala

 

Beyond the wall art by Apurva Desai, the staircase is a symphony in itself as sunrays illuminate the walls rendering a soulful composition of light and shadow; Photography by Ishita Sitwala

“My friend who is from Saurashtra, mentioned that his homes back in the village are humble yet beautiful with their sloping roofs and basic geometries. We thought, let’s experiment with our native architecture and materials and see where that takes us,” smiles Patel.

Hiren Patel
A customised Burma teak screen camouflages yet offers a glimpse into the space that it shrouds in the lounge with ceiling lights from Klove Studio and a floor lamp that is sourced from Bali; Photography by Ishita Sitwala

Sprawling over 27 acres, the home is planned as a series of courtyards, verandahs and freestanding buildings akin to clusters of homes in villages. We enter the property through a courtyard that offers a glimpse of sloping roofs shrouded in greenery. “The idea is to unravel the spaces as the user walks around the property,” says Patel. And rightfully, while the entrance offers a peek of the sloping roofs, as we set foot into the courtyard, its walls open onto a massive plot of manicured lawns with a placid water body at its heart.

Crafted to frame picturesque views of the outdoors, the living room with furniture from Bali is a sight to behold; Photography by Ishita Sitwala

 

Hiren Patel
Sitting in the lap of nature is the living room with highback chairs from Bali that are matched with the coffee table from Wallyin, the architect’s line of furniture; Photography by Ishita Sitwala

It divides the site into two parts segregating the public and private areas. The private area houses five bedrooms for family and two guestrooms. A spa and home theatre are present in the private zone whereas the public zone accommodates a formal living room, a dining area and kitchen. A reflection pool flanks the formal area with three majestic spade sculptures standing tall over its serene waters.

Designed to accommodate huge gatherings, the dining area is a confluence of multiple styles ranging from Pottery Barn accessories, tableware from MUJI, tabletop from Bali, a chandelier from Klove Studio and chairs made at Wallyin; Photography by Ishita Sitwala

The outdoors seamlessly transit into semi-open spaces and merge with the indoors. Patel reveals, “We divided open space adjacent to the structures in three parts—the first part is minutely landscaped that gradually moves towards denser shrubbery as the land extends and eventually becomes a thick forest, where even birds can dwell.”

Hiren Patel
An array of textures envelope the spa with a wooden ceiling and black marble mosaic floors alongside a metal screen with spade motifs that are customised for the space; Photography by Ishita Sitwala

The inspiration of the village is evident in the architecture with sloping roofs cladded with terracotta tiles. They are composed similar to sprawling countrysides with houses strewn across vast lands. But the indoors are voluminous as their roofs encompass enormous heights by virtue of their steep slopes endowing splendid architectural drama and grandiose to the interiors.

Hiren Patel
Playing hide and seek with the foliage is the entrance courtyard, inviting its dweller to explore and meander; Photography by Ishita Sitwala

 

Peeping through the abundant landscape is the entrance courtyard with carved marble stepping stones in a motif that the architect has used across the project; Photography by Ishita Sitwala

Relishing the tranquil verdure that holds us in their charm, we could not help but wonder what lies beyond the entwining paths. Saving the best for the last is the vantage of the Tapi river. Capturing a view of the river is the main bedroom that is tucked away at the far end of the site with other private spaces.

Hiren Patel
Inspired from temples in Kerala, the Ram Darbar uses Saint Gobain shingles on its roof emulating the former’s roofs that are originally crafted in copper. Created with a metal screen bearing motifs that are seen in various elements throughout Gopin, the cascading wall of the Ram Darbar is an abstraction of temple architecture in Kerala; Photography by Ishita Sitwala

 

Clad upon the bamboo roof are terracotta tiles that have been manufactured in Morbi exclusively for the project. A bamboo chandelier hovers upon the cobblestone flooring at the driveway. Fusing disparate design sensibilities are antique metal vessels from a local shop set against a backdrop of lanterns sourced from Bali; Photography by Ishita Sitwala

A verandah towards the living area is devised to frame vistas of the river as well, as it overlooks a manicured land with abundant greenery progressing towards the waters. While the Tapi is Gopin’s crowning glory, the landscape is its true hero. And Patel is quick to credit his landscapist, “He is not formally trained but has tremendous clarity and understands my ideas,” adds the architect.

Hiren Patel
Quintessentially homegrown is the teakwood jhoola that is made locally for the project whilst the day bed and coffee table are procured from Bali to adorn the verandah with natural marble mosaic flooring overlooking a serene reflection pool; Photography by Ishita Sitwala

 

For their daughter’s room, the table lamp is brought from Bali while wall art by Apurva Desai adorns the wall overlooking the circular poster bed and chair with wood and thread work from from Wallyin; Photography by Ishita Sitwala

One cannot help but marvel at the architecture that exists to celebrate nature—its flora and fauna that have evolved over the years at Gopin. For the architect, it is imperative that his architecture facilitates facets that are beyond spatial forms and conventional functions. A connect with nature, oneness with surroundings and design that encourages the inhabitants to explore the precinct on foot is crucial for Patel.

Hiren Patel
Black marble from Palanpur is laid on the bedroom floor featuring a locally made four poster bed with accessories from Pottery Barn; Photography by Ishita Sitwala

 

Creating a striking texture with the black painted bamboo screen is the exquisite black marble from Palanpur that is used in the outdoor bathroom adjoining the main bedroom; Photography by Ishita Sitwala

“While people are accustomed to staying indoors in air conditioned spaces, the current pandemic has brought to the fore the importance of nature and spending time outdoors. And my experience tells me, that when you create ample outdoor areas, plan them proficiently, people will definitely start using them more,” asserts Patel. In the case of Gopin, we believe that walls for its buildings and every manmade intervention is devised to celebrate nature in their true grandeur as it draws its inhabitants out of their rooms and into the wholesome goodness and bounties of the earth.

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