Homes

How DIG Architects reimagines the classic vaulted ceiling in this Mumbai apartment

SEP 20, 2024 | By Ria Gupta
The dining area features a Molteni&C dining table, Minotti dining chairs, and wall cabinets with sandwiched metal mesh, all introducing a distinctive design element to the space. Photography by Ishita Sitwala
The material palette for the living areas and the rest of the apartment has been rendered in a refined grey scale. The moon lighting pendant designed by Davide Groppi, central to the space, holds the entire narrative together. Photography by Ishita Sitwala

How do you take something simple, something that has recurred through generations past, and make it as unique as something never seen before? That is the question that pops in your head when you enter this Mumbai home, which stands like a sterile vision from the future built on anachronistic elements from the past. 

The answer lies in the details, in the play of space, design, and elements of the 4,300 sq ft home called Vaulted Haus, designed by DIG Architects. When the owners – a family of four – expressed their desire for a home that was niche, minimalistic and social with fuss-free aesthetics, principal architects Amit Khanolkar and Advait Potnis with architects Fenil Gala, Esha Indulkar and Manasi Pawar decided to build its personality from scratch, turning to the bare shell structure for inspiration. “The theme of the house was thus based on its architectural interpretation. We decided to use vaults as the primary element, explored consistently throughout the space and uniquely complemented with other architectural elements,” says Amit. 

The material palette for the living areas and the rest of the apartment has been rendered in a refined grey scale. The moon lighting pendant designed by Davide Groppi, central to the space, holds the entire narrative together; Photography by Ishita Sitwala

 

The living room features a spacious cuboidal design, the scale of which is managed by a ceiling divided into quadrants with vaulted sections cutting through them. The softness of the sofa (MDF Italia) and the centre tables (Mogg) compliments the vaults, while the monochrome palette is cut by the pop of colour from a tan armchair (Gallotti&Radice); Photography by Ishita Sitwala

 

Abundant plants add depth to the monochromatic scheme, while carpets by Jaipur Rugs and accessories by Pottery Barn and West Elm add layering; Photography by Ishita Sitwala

Vaults have been a common element in building architecture through generations, visible in the Gothic ribs of Parisian churches and iconic ceilings of the Pantheon. But its use in a limited metropolitan apartment immediately lends a breakaway aesthetic to the space. But that’s not where it ends. Opposing the vaulted ceiling is the Ceppo di Gré flooring. “This stone is used widely in building facades across Europe, but rarely seen in India. Its rugged personality adds a unique touch to the house,” says Advait, revealing how minimalistic design speaks volumes, all thanks to thoughtful curation.  

Just as the vaulted ceiling, the colour palette used was also tried and tested – a comforting monochrome scheme with minimal play of materials. But all these elements, combined with the structural rework of the house, resulted in a home that looks straight out of an AI-generated moodboard – unbelievable yet inviting.

The dining area features a Molteni&C dining table, Minotti dining chairs, and wall cabinets with sandwiched metal mesh, all introducing a distinctive design element to the space; Photography by Ishita Sitwala

 

Bar stools by Cattelan Italia and lights by Artemide deck the bar, while accessories by Pottery Barn and West Elm populate the rest of the alcove; Photography by Ishita Sitwala

At the outset, you can’t tell that this used to be a five bedroom house. To accommodate the needs of the family, the space was repurposed to have four bedrooms, a study, a kitchen, a bar, and a walk-in wardrobe. The nucleus of the space is the open plan living and dining room – visible to the left upon entering the house and connected to the rooms through a corridor. With seating facing the dining table, this area opens room for mingling and communal dining. 

“We think of a space in terms of volume, not fragments. Working with a larger idea and chopping it down to work at a micro level for consistent design satisfies our design philosophy,” says Advait when explaining the guiding philosophy behind designing the space. 

The bar was conceptualised as a gabion wall, with a hint of leather finished avocado stone for the backdrop. The Moroso armchairs in front of the bar break the linear look of the space; Photography by Ishita Sitwala

 

The house entrance is set within a large black alcove that extends to the bar and kitchen. Opposite the entrance, frosted solid bricks create an ambient glow. This partition divides the alcove into the entrance and bar areas, with a geometric wall installation; Photography by Ishita Sitwala

 

The bold monochrome of the son’s bedroom is broken by a splash of green in the form of a study table and an armchair (Togo) with floor lamp (Midgard) along with side tables (Bo Concept). The headboard wall is made of unequal vertical slats of a rugged finished granite stone from Ninety Degree Stone; Photography by Ishita Sitwala

On the other side of the entrance, the bar is possibly the boldest manifestation of this concept. It takes shape as a massive black alcove stretching till the kitchen. Standing on black a ceramic floor, the bar itself is conceptualised as a gabion wall, made by trapping stones in a metal wire mesh. A frosted glass brick partition divides this black scoop from the main entrance. What seems like an intense space instantly lightens up from the refractive quality of this glass, creating a bold orchestra out of what could easily have been a mundane corner of dark colours.

Among the rooms, the master bedroom and two rooms for the children take on unique characters. The grayscale in the son’s room, for instance, is broken by the splash of green in the form of a study table and tapestry. The headboard wall in the master bedroom is a combination of frosted glass bricks and grey veneer. But the glass bricks are illuminated with ambient lighting for a spin on the cool hues. 

This layering, visible in various shapes and forms through the house, makes you believe one thing: that sometimes, divergent design is born out of the most conforming principles. 

Scroll to see more glimpses of this home in Mumbai…

A long, narrow passageway serves as the central connector, seamlessly linking all the bedrooms and the study room; Photography by Ishita Sitwala

 

In the master bedroom, the TV’s placement conflicted with the window’s location, and the niches used for a study and storage complicated space utilisation. This was resolved by installing sliding walls, including one with a movable TV, which allowed for flexible room configurations; Photography by Ishita Sitwala

 

The daughters’ bedroom is a divergence from the material palette used in the rest of the house. The use of white for the shell creates a light and bright mood, and there’s a large soft padded bed from RH in the centre with accessories from West Elm and Pottery Barn; Photography by Ishita Sitwala

 

The study room has a warm palette introduced through oak veneer making the space cosy and bright. The vaults are finished with a limo coat similar to the living area. The study table is complete with a Marset lamp and study chair by Herman Miller; Photography by Ishita Sitwala

 

The study bathroom is finished in statuario marble and decked with a pendant light by Flos and washbasin tap by Grohe; Photography by Ishita Sitwala

Read more: The Blue Scoop Haus by DIG Architects stands out for its daring yet refined play of colours and volumes