A colonial era Goa home in Studio 415
The swimming pool mirrors the arches of the dining room doorways; Photography by Banuka Vithanage

Made for the Goan hours

Studio 415 crafts a home in Panjim to match Goa's susegad pace

BY

Bambolim sits on the edge of everyday Goa.  It’s one of those parts of Panjim where people visit to find respite, pockets of nature and secluded beaches. Along its narrow lanes, houses lean close to one another, their walls painted in colours matured by time. The plot for a 5,600 sq ft home entrusted to Studio 415 speaks of this everyday story. Tucked between other neighbouring houses on three sides, a road runs along this home’s front facade. 

The owners, a Singapore-based family, sought a home that narrated tradition, suffused with accents in its interiors borrowed from the past. Tejas Yelve and Krishnaa Gabhawala, principal architects of Studio 415 responded with a design centred around a courtyard, with a pool becoming the dwelling’s heart. From the outside, the home reminds you of the old Indo-Portuguese bungalows with their raj-aangans. Inside, the space feels as if it’s tempered by old timber and terracotta, brightened by daylight through the arched windows across the basalt floors. “Seventy percent of the doors and windows are old, sourced from different parts of India. The columns supporting the dining verandah are 100-years old, sourced from Chennai,” the duo explains.

A colonial era Goa home in Studio 415
The formal living room features flooring from Bharat flooring, the Sofas are custom made by Bombay living. The center table and chair are from Ethnic Passage; Photography by Banuka Vithanage

Clay as it lays

The entrance opens to a compact, red-hued room that instantly sets the rhythm of the house. Its walls are finished in a deep shade of red, a tone borrowed from the Goan laterite soil. The rich colour, adds warmth to the space and sets a grounding tone for the spaces beyond. 

The flooring is basalt stone, cool underfoot and practical for the Goan climate. The ceiling done with a raw RCC finish, intentionally left exposed, adds to the rustic appeal of the space. The ceiling panel in the room by the sitting area is over 100 years old, sourced from Cochin. The furniture in this space has a strong vintage appeal—a table constructed using an old door, chairs and a rosewood bench sourced from Cochin—these rustic elements pair with the subtle colonial accents to set the tone for the rest of the house. 

A colonial era Goa home in Studio 415
Photography by Banuka Vithanage
A colonial era Goa home in Studio 415
The entrance room serves as a visual delight. The basalt flooring here serves as a cooling respite from the coastal heat, the walls are blanketed in a rich hue of red inspired by the laterite terrain. The furniture here takes you back in time—chairs from the Ethnic Passage, a table constructed using an old door, a vintage rosewood bech—all adding to the rustic element of the space; Photography by Banuka Vithanage

Of sarees and sea shells

Upstairs, the living room also carries that feeling of an old Goan home. Upon entry, eyes are drawn to the homeowner’s mother’s saree framed and displayed near the stairway, adding a personal touch to the space.

A high, sloping ceiling framed in timber creates an illusion, making the room feel taller than it is, while large doors lead to a shaded terrace facing the courtyard. The flooring is hand-cast cement in a muted tone that catches the morning light ever so softly. “A divider screen crafted from oyster shells inspired by old Goan windows adds a natural, coastal touch while providing privacy and visual interest,” Tejas and Krishnaa state.

The furniture is mostly restored wooden pieces, with elegant detailing. A glass chandelier hangs from the ridge beam, complementing the Colonial-style furniture. 

A colonial era Goa home in Studio 415
A swimming pool lined with Piccolo tiles and basalt decking sits at the heart of the home and of the courtyard; Photography by Banuka Vithanage
A colonial era Goa home in Studio 415
The master bedroom feels like a toasty cocoon. The space features a vintage bed and side table from Ethnic Passage. Against these old wooden bones, the upholstery in a gingham print brings about a whimsical look to an otherwise simple space; Photography by Banuka Vithanage

Gathering ground

In old Indo‑Portuguese architecture, one sees the use of elements like courtyards, verandahs and balcões, that used to serve as gathering points for families; they weren’t mere structural features — they defined how life unfolded in Goan homes. At this Bambolim home, this story is re‑interpreted. The three‑storey bungalow centres itself on a basalt‑stone courtyard, integrating a pool that brings light, air, and a sense of privacy to the home. Around it, is a shaded verandah (extended from the dining area), supported by 100-year old columns. 

Situated between the lush lawn and dining area, it creates a beautiful spot for outdoor meals and gatherings. Adjacent to the courtyard, the balcão—a shaded timber porch—offers a gathering place for quiet conversation, morning tea, or long evening hours. These spaces work in harmony to create pockets for family time together. They embody susegad living, a slow, considered life, deeply rooted in Goa’s spirit. 

A colonial era Goa home in Studio 415
You enter the home through ginormous wooden doors to step into the entry room. It’s details like the stitched artwork hanging by the aged doors and flooring covered in basalt stone sourced from Parrees, Pune sets the tone for the rest of the space; Photography by Banuka Vithanage
A colonial era Goa home in Studio 415
The home clad in basalt stone, with Mangalorean tiles over the roof is reminiscent of the old-school bungalows of Goa; Photography by Banuka Vithanage

Susegad living here means more than stillness. It is laughter drifting across the courtyard, it’s the sound of a pool party thrumming in the heart of the home. Conversations spilling onto the balcão over a midday drink and meals enjoyed in the verandah accompanied by the sound of crickets. The home is Goan to its bones—where living is always a little indulgent, a little old school, and always together.

A colonial era Goa home in Studio 415
Photography by Banuka Vithanage
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