Have you ever wondered what it is like to be no longer reaching for but actually living up with the stars? No one in this family has any need for the sunrise alarm clock. Well, because they have the sun greet them every morning instead.
High up on the 71st floor in the upscale locale of Worli lies a 5,000 sq ft apartment that is the perfect epitome for what Mumbai is known for: the city of high-rises. Designers Roozmehr and Cherag Bardolivala of RC Design Studio have designed a 5-bedroom home that really goes to show how well-thought the result can be when the designer and owner partake in careful collaboration with one another.
Floor-to-ceiling windows stand as the sole divider between the sky and the bedroom, floor marble from Aakash Marble, hanging light from Terra Trading, bedsheet from Sarita Handa, throw from AA Living, styled by Meetu Swani; Photograph by Pankaj Anand
The layout of the building is tailored for a modern joint Indian family. They all live under one roof but at the same time would like some sort of separation hence why two apartments were combined and are connected to each other via a foyer. “There are private zones for all to enjoy their daily activities without interfering in each other’s spaces.
The medley of blues from the abstract wall art imbues the media room with a sense of glee, the sofa is from Z.J.M. Exports, centre table from & More Stories, veneer from Ace Space Veneers, sofa fabric from A to Z, rug from Jaipur Rugs, wall art from Siddharth Kerkar, floor marble from Aakash Marble, throw and cushions from AA Living, curtain fabric from A to Z; Photograph by Pankaj Anand
The form of the furniture in the formal living room echoes the curved walls it sits within, the sofa is from Z.J.M. Exports, the centre table is from & More Stories, the veneer from Ace Space Veneers, the sofa fabric is from A to Z, the rug from Jaipur Rugs, throw and cushions from AA Living, curtain fabric from A to Z; Photograph by Pankaj Anand; Photograph by Pankaj Anand
Yet meals are enjoyed together, and cricket matches are watched together in the media spaces.” Therefore, movement and air circulation formed an important part of the design process, especially with the added challenge of curvature in the architecture.
A shaker-style wall sets a tone of refinement in this bedroom and is accentuated by the pop of ruby, floor marble from Aakash Marble, veneer from Acespace Veneer, table fluting from Arte Di Lusso, study chair from Z.J.M. Exports, study chair fabric from A to Z, bedsheet & pillow covers from Sarita Handa & AA Living, Bed Headboard fabric from A to Z, table lamps from West Elm, curtain fabric from A to Z; Photograph by Pankaj Anand
Tranquil shades of green alongside a botanical mural and lightweight materials make the room feel inviting, floor marble from Aakash Marble, wallpaper from Interworld, cushion covers and throw from AA Living, sofa bed fabric from A to Z, sofa bed fitting from Hafele, curtain fabric from A to Z, coffee table from K.K. Metals; Photograph by Pankaj Anand
When the view outside is socompelling, it is best that the colours inside don’t compete with it. Which is why the interiors of the home has taken a step in the direction of judiciously nuanced neutrals. The living and dining areas are clad with a light-hued herringbone veneer whilst each of the bedrooms has its own distinctive wall colours.
The sun casts its light into this room making the lush blue walls sparkle, floor marble from Aakash Marble, veneer from Acespace Veneer, study chair from Z.J.M. Exports, study chair fabric from A to Z, wallpaper from Interworld; Photograph by Pankaj Anand
A varying combination of materials are brought to life here with vivacious artwork, floor marble from Aakash Marble, veneer from Acespace Veneer, and dining table top marble from Solid Stone co. ltd. (stone source), dining table rotating top glass from See More, dining table base fluting from Arte Di Lusso, travertine marble from Royale RK Marble, dining chairs from Z. J.M Exports, dining chair fabric from A to Z, chair from Hatsu Furniture, curtain fabric from A to Z, artefact from Tresorie; Photograph by Pankaj Anand
Here is a family of rather laidback individuals who all share their taste for pastel tones. The 4-year-old princess of this home has her own bespoke wallpaper with illustrations of adorable little hot air balloons and animals.
The master bedroom takes on a modest palette of neutral tones that refrain from clashing with the view, travertine marble from Royale RK Marble, veneer from Acespace, hanging lights from Terra Trading, bed headboard fabric from A to Z, bench from Z.J.M Exports, bedsheet and pillow covers from Sarita Handa, cushion covers and throw from AA Living, curtain fabric from A to Z, chair from Hatsu Furniture; Photograph by Pankaj Anand
A playful and gentle essence is felt in this child’s bedroom with a distinctive character of hot air balloons, floor marble from Aakash Marble, bed from Ikea, side table from Ikea, mirror from Ikea, wallpaper from Life n Colors, hanging light from Kaji Kids, rug from Hatsu, cushion covers & throw from AA Living; Photograph by Pankaj Anand
Oh and the selection of marble is just to die for. A whole sort of materials is thoughtfully considered and then layered in the design here. Travertine is paired with a patinated metal console table in the dining room. A Blue De Savoie marble bathroom has touches of pink tiles and a mirrored pendant bounces light all over Roma Grey marble in the powder room.
Pink accents cause the Blue De Savoie to wink, blue de Savoi marble from Classic Marble Company, pink tiles from Decoreta, mirror from Potterybarn, back painted profile shutters from Hem Glass; Photograph by Pankaj Anand
Organic forms of sanitary ware and lighting sit stylishly amongst the dark-veined marble,gris roma marble from Solid Stone(stone source), basin from TOTO, mirror from White Domus, hanging light from Terra Trading; Photograph by Pankaj Anand
A home isn’t a home without art. Amongst the courtly sliding doors, pops of jewel-coloured fabrics and sophisticated contemporary furniture also lies a dynamic interplay of textures and colours through art. From wabi-sabi inspired to ceramic wall art that represents Hindu astrology to sensuous sculptures, this home certainly is a soulful extension of the family’s personalities.
With views of the lush Goan landscape captured from the generously sized windows, this home in the coastal state of Goa carries within a joie de vivre kind of composure and poise.For a young globetrotting couple, it is also their first dream home. They enlisted the expertise of Natasha Kumar and Abhijit Sawant ofStudio Tilt to douse their tropical nest of 1,200 sq ft with hints of old-world charm and simple modernity.
The rocking chair from Wooden Street and curvaceous coffee table set from Fleck sit perfectly against the organic rust and beige Obeetee rug. The Origami pendant light fixture is from Fig Living and the black glass lights are from Whispering Homes; Photography and styling by Manthan Yadav
Flooded with natural light, the living area is enlivened with off-white fluted wall panels, showcasing a harmonious fusion of modern and soft vintage elements. The exquisite origami pendant lights hanging above are from Fig Living; Photography by Manthan Yadav
The living area reveals eclectic furniture and neutral beige furnishings. Occasional black accents in the furniture and hanging glass lights from Whispering Homes, lend boldness to the refined interiors; Photography by Manthan Yadav
When in Goa, inspiration indeed comes naturally. And a part of it came from the savvy owners themselves, who opined, “We seek to avoid the colonial precincts of South Goa and favour soft, neutral aesthetics with a traditional essence.” With this directive, the architects embarked on an exquisite design metamorphosis, converting the entire living area to an open format with an evident Japandi influence.
A custom-made central wooden table paired with traditionally moulded chairs and bench seating anchors the dining area. The artwork between the storage cabinets was picked from Europe. Black glass lights are from Whispering Homes; Photography by Manthan Yadav
Breezy but beige
The living room is breezy and serene, inviting for a movie marathon and leisure lounging. What you see here are beige-y and caramel tones, ostentatious artefacts and furnishings skillfully put together.
Kitchen with ivory cabinetry from Livspace juxtaposes custom-made furniture. Furnishings are from Home & Lifestyle – Goa and decor is sourced from Ellementry, Whispering Homes, Fabindia Home and Muun Home Décor; Photography by Manthan Yadav
Just beyond, is the light-filled dining area where the residents sip and dine, again dominated by a neutral palette. An artwork picked from Europe blends in perfectly between the sand-coloured cabinets.
The striking artwork above the powder blue headboard was purchased from Europe. The bedding is from AA Living and terrazzo bedside lights are from Orange Tree. Walls are coated with Asian Paints; Photography by Manthan Yadav
“The house didn’t need any major cosmetic changes in terms of layout and flow, but we decided to open the kitchen with a slender breakfast counter,” Natasha explains. The pristine terrazzo tile backsplash becomes a perfect backdrop for culinary endeavours.
Master bedroom with a seating nook is an ideal spot for sipping a hot cuppa. The bedding is from AA Living and Décor is sourced from Modern Quests, Marks & Spencer, Home Centre, Weaving Homes and Home4u; Photography by Manthan Yadav
Lessons in minimalism
Life is sweet in a master bedroom as splendid as this. There’s a lot to marvel at in this pastel haven with splashes of powder blue. Rich layers of statement decor pieces and artwork make it a bit colour-forward. “After a while, you get fed up with an all-white palette. We had to do something radically different and stay away from the typical minimalism clichés,” says Abhijit.
Guest bedroom finished in a cream top coat by Asian Paints has fluted panel details in a terracotta hue that runs through the wardrobe and the headboard. The bedding is from H&M Home whereas the decor is sourced from Modern Quests, Whispering Homes, Home Centre and Nestasia; Photography by Manthan Yadav
For the guest bedroom, a soothing palette of vanilla, cream and terracotta has been embraced. Decor objects behind the seating nook, bask in the warm luminance of the sun. These calming spots in both the bedrooms are anchored by built-in desks that add utility and style.
The columned wooden bookshelf spotlights the decor pieces sourced from Modern Quests, Whispering Homes, Home Centre and Nestasia; Photography by Manthan Yadav
Maximised daylight and cross-ventilation team up to bring the same vibrance and freshness of a sea breeze along the coast. Conceived with the idea to be elegantly minimal, the architects have selected vintage, smooth collectibles that beguile. By prioritising open spaces and creating clutter-free rooms they have woven the couple’s dreams and emotions in every corner of their first home.
How do you define good design? “A good design project is supposed to be explained to your mother over the phone. It is not a question of shapes, forms or finishes. It is a question of what you want to say and what you want to express.” Where it begins. Where it ends. Mathieu Lehanneur questions the serendipitous versus the intended premise of life, rather differently.
That is, what happens in between it all? An irrepressibly composed yet flamboyant sense of being surrounds the 49-year-old French designer, when we meet him for a long conversation, connected across continents, through our screen. With technology so palpably embedded in that moment, I can’t help but draw parallels between his idea of design in entirety.
Mathieu Lehanneur; Photographs courtesy Felipe Ribon
Can technology be a bridge to emotional spirituality? Can an object mirror real-life experiences? How can scientific discoveries be an ally to human beings? And that’s when the multihyphenate Mathieu reveals that a few years ago, an elderly Indian couple discovered Mathieu’s Liquid Marble at the Victoria and Albert Museum, London. As he was later informed by the staff, they spent nearly the whole day sitting by this vast, polished black marble object — depicting the surreal fluidity of the static sea. “I’m convinced that they were probably living the same experience as my young self sitting in front of the sea.
For me, success is not the question of pieces sold or the money raised, but the experience that people live with an object.”Most recently, Mathieu headlined reports on creating the Paris 2024 Olympics and Paralympics Torch. A momentous time in his book of history perhaps. He was also crowned Maison&Objet’s Designer of the Year 2024. Design, however, wasn’t exactly his plan early in life. “I decided to become a designer very late at 18 or 19-years-old.”
Outonomy, displayed at Maison&Objet 2024 by Mathieu Lehanneur; Photographs courtesy Felipe Ribon
Outonomy, displayed at Maison&Objet 2024 by Mathieu Lehanneur; Photographs courtesy Felipe Ribon
Liquid Marble is a visual extension of Petite Loire, a freeze-frame of the subtle movement of France’s longest river, Loire; Photographs courtesy Felipe Ribon
With his works now displayed at top art authorities such as the Museum of Modern Art (MoMA), New York and Musée des Arts Décoratifs, Paris, Mathieu adds, “I am the youngest one in a large family and grew up in the suburbs of Paris. As a teenager, I once wanted to be a doctor, a job that potentially could save a life.”
Soon after, Mathieu discovered another way of creating life. Giving material shape to his thoughts. From 1994 to 2001, he studied at the prestigious Ecole Nationale Supérieure de Création Industrielle. Now a loyal dweller in central Paris, Mathieu recounts spending months of quiet time in Corsica, Southern France, where his father, who used to be a hydraulic engineer, spent his childhood.
Contemplation, clairvoyance go on to become unbending fundamentals of his recent installation at Maison&Objet 2024 titled Outonomy.“This project was to not provide answers but to ask questions.” He adds, “We are ready to live in this type of a house, is the best answer I could get from visitors.”How was the term Outonomy coined? “I wanted this project to work on an autonomous way of living, connected with the outdoors, nature and with being outside of the city. So we combined out and autonomy.”
Outonomy, displayed at Maison&Objet 2024 by Mathieu Lehanneur; Photographs courtesy Felipe Ribon
Outonomy, displayed at Maison&Objet 2024 by Mathieu Lehanneur; Photographs courtesy Felipe Ribon
Outonomy, displayed at Maison&Objet 2024 by Mathieu Lehanneur; Photographs courtesy Felipe Ribon
The installation draped in confident hues of yellow, intertwines function, technology and layers of perspectives. For his other complex yet super-emotional installation ‘Tomorrow is Another Day’ for Palliative Care patients at a hospital in Paris, “I designed a new window in each room with a screen displaying what the sky of tomorrow would look like across geographies and weathers,” which patients during their last moments could see, be connected with…Mathieu, whose design grammar is as technologically informed as his appetite for eccentrically intelligent ideas, moved out of his initial studio recently.
He calls the new whereabouts in the Ivry-sur-Seine neighbourhood the ‘Factory’, “We are in a large, centuries-old historical building, next to Paris. I call it the Factory because we’re producing ideas here and the pieces too. For me, this is also a reminder of Andy Warhol’s The Factory (New York).” With plans to soon reveal his new Pied-à-terre in New York, a universe of his fascinating creations on display, he promptly adds, “In my opinion, even if I define myself as a designer — as a designer, I’m not supposed to make very specific things. Nobody in this world is really able to define what a designer is supposed to do. It is a blur. This allows us to investigate the field of architecture. Sometimes go more into the artistic or the scientific field. Because the question is to not choose a domain, but be more connected with humans and nature itself.”
A sneak peek into Mathieu Lehanneur’s works…
2024 PARIS OLYMPICS TORCH
A once in a lifetime moodboard for the mega quadrennial sports advent, Mathieu Lehanneur envisions the trailblazing torch for the 2024 Paris Olympics and Paralympics, with the material supported by the steel company ArcelorMittal and the frame following equal parts symmetry and curves. As he describes it, “Simple like a hyphen and fluid like a flame.”
2024 Paris Olympics and Paralympics torch designed by Mathieu Lehanneur, with the material supported by the steel company ArcelorMittal; Photograph courtesy Felipe Ribon
HAPPY TO BE HERE
With glass as its primary protagonist, the Happy to Be Here collection of furniture for eccentrically-progressive living spaces, exemplifies the material technique of glass. The console that seems to be floating (but with purpose) against gravity is anchored with hand-blown glass bubble-shaped legs. An oxymoronic display of strength in fragility.
Happy to Be Here collection of furniture for eccentrically-progressive living spaces, exemplifies the material technique of glass; Photographs courtesy Felipe Ribon
OCEAN MEMORIES
A sea frozen in time and movement, yet as nimble and surreal in its portrayal, Ocean Memories is a part of the Liquid Marble series, also exhibited at the Victoria and Albert Museum, London during the 2016 edition of London Festival. The polished frame wraps the three-dimensional beauty of waves and currents, capturing the physics of solid to liquid transformation.
A sea frozen in time and movement, yet as nimble and surreal in its portrayal, Ocean Memories the three-dimensional beauty of waves and currents, capturing the physics of solid to-liquid transformation; Photographs courtesy Felipe Ribon
A sea frozen in time and movement, yet as nimble and surreal in its portrayal, Ocean Memories the three-dimensional beauty of waves and currents, capturing the physics of solid to-liquid transformation; Photographs courtesy Felipe Ribon
SAINT-HILAIRE CHURCH
An architectural milestone with a religious identity at its centre, the Saint-Hilaire Church in the old-historical town of Melle, France, highlights the marvels of geology in its geometrical built. The structure, like a box sunk into the sand, is a part of the natural landscape. Lehanneur says, “I imagine that when this ‘box’ was sunk into the ground as if pushed by an invisible, maybe divine hand, it revealed the visible aspect of a mineral and massive form.”
Saint-Hilaire Church in the old-historical town of Melle, France, highlights the marvels of geology in its geometrical built; Photographs courtesy Felipe Ribon
S.M.O.K.E.
Metaphorically and visually, the S.M.O.K.E lamp insinuates a domestic catastrophe, a consequence of fire eruption, gas leaks and suchlike, portrayed through an intriguing shape of explosion with blown glass — shedding light on the environmental impact of substances and their reactions.
The S.M.O.K.E lamp insinuates a domestic catastrophe, a consequence of fire eruption, gas leaks and suchlike, portrayed through an intriguing shape of explosion with blown glass — shedding light on the environmental impact of substances and their reactions; Photographs courtesy Felipe Ribon
ANDREA AIR PURIFIER
NASA’s discovery of high-level toxic compounds embedded in astronaut’s body tissues due to materials of the aircraft like plastic and fibreglass is directly compared with the invisible emissions of manufactured products inside our living spaces. ANDREA is a living air filter, wherein the leaves and roots, purify and absorb the contaminated air released by these products.
ANDREA is a living air filter, wherein the leaves and roots, purify and absorb the contaminated air released by these products; Photographs courtesy Felipe Ribon
As soon as you enter Cottage Six, it hooks you with its surreally placid character, one that’s reminiscent of an idyllic seaboard. And this is exactly what Suvidha Gandhi, founder and principal designer of Papersky Studio was enlisted to achieve by its homeowners — a young family of four yearning for a residence in Goa that encapsulates the coastal living aesthetic.
This exquisite arched window effortlessly illuminates the entrance lobby while framing the outdoor verdure swaying on the home’s periphery. A hanging light from IKEA dangles from intersecting ceiling beams; Photography by Pankaj Anand
Taking its cues from the tropical beach life that is punctuated with muted hues and littoral textures, coastal-style homes are perfect for those who have a yen for slow living. A hallmark of this theme is that it blurs the lines between indoors and outdoors, often doing away with opaque walls to espouse open setups, glass partitions, and large-scale windows, enabling the confines to liberally bask in light. As it embodies this breezy motif, the 3,000 sq ft area of Cottage Six lucidly becomes even more commodious and reposeful.
Cottage Six’s master lounge continues the custom of flaunting a neutral colour palette including whites and pastels in its furnishings. On display: custom furniture from Papersky Home and carpet from HummingHaus; Photography by Pankaj Anand
Cottage Six’s master lounge continues the custom of flaunting a neutral colour palette including whites and pastels in its furnishings. On display: custom furniture from Papersky Home and carpet from HummingHaus; Photography by Pankaj Anand
“In my design approach, I prioritise consistency and coherence by adhering to a singular theme throughout a project. However, within this chosen theme, I embrace the opportunity for exploration and innovation,” reveals Suvidha. By experimenting and unifying multifarious design and decor ideas, the principal designer elevates the overarching coastal template while keeping its true essence intact.
A perfect spot for family gatherings and interactions, the home’s open dining and kitchen layout is inundated with ample daylight. On display: custom furniture from Papersky Home; and hanging and wall lights from The Kaleido Store; Photography by Pankaj Anand
Fetching, flowing, and functional A small porch at the entrance that doubles as a lobby unfurls the home, guiding visitors into an integrated living and dining area that is magnified by the adjacent open kitchen. This free and fluid layout sets the stage for the coastal-style trope where air, light and space are in plentitude.
Interestingly, the well-lit living area hatched the biggest challenge for Suvidha in the early stages as the neighbouring properties limited the influx of natural light. To offset this hiccup, she “kept the treatment very simple, so that nothing felt heavy and out of place.”
Emulating the home’s appeasing vibe, the guest bedroom at Cottage Six compels visitors to relax. On display: a bohemian-style rug from HummingHaus; bed cushions from Sarita Handa, and bed quilt from Yamini; Photography by Pankaj Anand
The ground level also accommodates a guest bedroom that replicates the home’s immaculate ethos along with a guest bathroom. Accompanying the master suite on the first floor is the kids’ bedroom that pleasantly manifests the minimalistic attributes of the overall theme with cameos of nautical blue.
Blending greys and wooden details, the kids’ bathroom features translucent windows providing both copious amounts of natural light as well as privacy. The capacious vanity is furnished with fittings from Kohler and a pair of hanging lights from The Kaleido Store; Photography by Pankaj Anand
For the core aesthetic to impeccably shine, Suvidha decreed for structural remodelling in certain areas of the home including the master ensuite. “The master bedroom layout was completely moved around. We covered the original slab sink created for the bathroom and moved it further in line with the balcony. This was done so that the bathroom can have two entry points — from the bedroom and the balcony,” she elucidates.
Similarly, the former storeroom on the lower level’s basement was overhauled into an open-to-sky shower that now directly sits next to the alfresco pool and lounge setting. Additionally, by shifting the storage area for laundry and household help beneath the staircase, judicious use of space was maintained.
Blending greys and wooden details, the kids’ bathroom features translucent windows providing both copious amounts of natural light as well as privacy. The capacious vanity is furnished with fittings from Kohler and a pair of hanging lights from The Kaleido Store; Photography by Pankaj Anand
Bringing the outdoors inside with a seaboard palette With crisp white backdrops virtually everywhere, Cottage Six sets itself up as a quintessential candidate for the coastal mise en scène. “With this canvas, the entire home came together in shades of blues, greens, creams, ivory and beige colours; while stripes, soft florals, birds, coconut trees, palm prints, etc., were incorporated in furnishings and wall art,“ elaborates the founder.
The archetypal striped patterns in conjunction with blue and off-white shades evoke the classic coastal aesthetic alongside distressed furniture and indoor plants in the living room. To make this area even more spacious, a glass partition affixed by the staircase to enable the unfettered movement of natural light. On display: a striped sofa fabric from D’Decor; carpet from Jaipur Rugs; table lamp from Whispering Homes; furniture from Papersky Home; hanging and wall lights from The Kaleido Store; Photography by Pankaj Anand
To lend an unadulterated cottage-esque vibe, the interior walls of the home are enveloped with raw, uneven finishes. Suvidha underpins this balmy aura by cleverly layering the space with jute and sisal rugs on natural stone floorings alongside gauzy window curtains in neutral tinctures.
The master ensuite comes with his-and-hers bathroom sinks with brass fittings from Kohler. It also features a chic pair of mirrors with vanity lights; Photography by Pankaj Anand
Even though sustainable features didn’t take precedence initially, they soon became an integral part of the design, thanks to the natural material palette of the theme. The insertion of stone floorings, pale wood furniture, and glass details have automatically tamped down the need for synthetic-based decor and fittings.
Generous use of cotton and linens in the space further enhances the home’s green quotient. “Moreover, the abundance of indoor and outdoor plants throughout the villa serves as more than just decorative elements; they actively contribute to air purification and create a healthier indoor environment,” avers Suvidha.
The bedroom’s wooden ceiling elicits a warm and cosy environment while the shutter door wardrobes and the four-poster bed stir up a romantic mood. On display: custom furniture and decor from Papersky Home; carpet from Knotty, basket from Art Avenue; and ceiling fan from Fanzart Fans; Photography by Pankaj Anand
Thriving in its understated luxury and contemporariness, Cottage Six exudes a youthful and peaceable aura much like its dwellers. Residing within such airy, pristine and soothing enclosures, we imagine, is akin to being on an endless beach holiday — a thalassophile’s dream realised.
The poolside area features clean arched pillars alongside an arched French doorway, a long horizontal window pane and breakfast bar. On display: outdoor furniture from Alcanes; cushions from H&M; and hanging lights from IKEA; Photography by Pankaj Anand
Poltrona Frau has marked a niche for itself, one characterised by an illustrious history made richer by constant evolution. With several generations at the group’s helm, their remarkable journey started a century ago — 112 years, to be precise. As a result of their distinctive vision, the world has borne witness to several landmark moments crafted in collaboration with the creme de la creme of the design world. Glean valuable insights and anecdotes from their journey with Nicola Coropulis, the CEO of Poltrona Frau in conversation with Mrudul Pathak Kundu, Editor at ELLE DECOR India.
Nicola Coropulis, CEO of Poltrona Frau; Image courtesy Poltrona Frau
Mrudul: You have seen design evolve over the years. What are your thoughts on evolution?
Nicola: I’ve been long enough in this industry to see an evolution in the role of designers versus the companies they work with. In the 90s, designers had become archi-stars, some of them extremely powerful and influential. But I’ve seen that over time, the role of companies has changed because they’ve placed much more attention on branding rather than products. When the product was the focus, the designer was the key driver, the key element of the equation. Today, branding and storytelling are much more effective. The weight of brands has grown.
The second thing that I see is that design has taken globalisation into account, moving from West to East. The explosion of the China market, the growth of Asian markets as a whole and the boom of India now have brought greater attention from manufacturers, for brands to add new elements to their design culture. For me, this has greatly enriched the value each brand can bring to the market, especially for Poltrona Frau. We’ve always had a multi-layered culture, so this has been great.
The third element is that the ’90s were the last time when an evolution in shapes and form was seen. Now all research has moved into materials and creating more sustainable products.
The fourth element is that aesthetics are always important, but good aesthetics must live together with comfort and functionality. The fifth element is the fact that we live in a time where digital technology has created a seamless interaction between digital and physical touch points. AI can play a significant role in the evolution of design.
Squash Armchair by Faye Toogood; Image Courtesy Poltrona Frau
Mrudul: As things are rapidly changing, I wanted to understand the relevance of classics; Poltrona Frau to me is a classic. What is your take on that?
Nicola:We are proud of creating classic products. Classic means timeless, alluding to something that was born in a certain period and responded to the needs of the time. It was contemporary when it was born but simultaneously held attractive elements and some style codes which sustained over the decades, becoming timeless.
I see that some of our products launched 15 or 20 years ago, like the Archibald armchair, have become classics. When it launched, it was seen as a strange product. It was an armchair with no arms and a low back, roundish with metal feet. I think we are repeating the same exercise with the Squash Armchair by Faye Toogood, which in my opinion is a couple of years ahead of its time, but will set into motion the evolution of armchairs for the coming years. Classics are also important because in times of big changes and uncertainty, like the one that we are living in, they play a reassuring role.
Think about the Camaleonda by B&B Italia. They launched it during COVID and it was a shape that resonated with people.
Poltrona Frau’s Imagine collection at Milan Design Week; Image Courtesy Poltrona Frau
Mrudul: Faye Toogood’s armchair is quite unexpected in terms of shape than your other collaborations, like Jean-Marie Massaud or Sebastian Herkner. What are the qualities that you look for in a collaborator? What is a successful collaboration?
Nicola:They are curious and willing to get out of their comfort zone. They accept that designing a product for a brand like Poltrona Frau is taking a part of our brand’s culture, renouncing some elements of their DNA but bringing most of its added value to create something that is like a baby.
The baby is from both the mother and the father, but it’s different on its own. Products that carry the signs of the mother, which is the brand and the designs of the father, the designers, will be successful. Faye came to us, she had some ideas different from ours but the result was exciting. She won the NYCxDESIGN Award for the Squash Armchair. It also won the best of NeoCon GOLD 2024 in the furniture category under seating.
Squash Armchair by Faye Toogood; Image Courtesy Poltrona FrauNymph Lamp by Sebastian Herkner; Image Courtesy Poltrona Frau
Mrudul: How would you describe the spirit of Poltrona Frau in three words?
Nicola:Elegant, classic and innovative.
Mrudul: So my country, India, loves colour. Do you love colour?
Nicola:I love colour and so does Poltrona Frau. It was the first to use colour in leather. In the mid-80s, Poltrona Frau selected a chromatologist — an expertise almost non-existent at the time — to create a colour palette. Since the technology then had started allowing colour to be used in leather tanning, they created a palette of 73 colours which grew to 96 within a few years. This palette was called the colour system. It has become a common vocabulary for colours, used by most of the industry.
During COVID, we launched a revised colour system called ColorSphere, where we updated or upgraded the colours. Colour is a history that lives with time. Now we have ColorSphere, thought of as a cloud system with clouds that can interact. It’s much easier for our consultants and architects to choose matching colours today.
Poltrona Frau at Milan Design Week 2024; Image Courtesy Poltrona Frau
Mrudul: Leather has been your trademark material. Are there any new materials that have caught your fancy lately that we might see more?
Nicola:We have been spending some enjoyable time trying out exercises on printed leather. Over the last two years, we’ve done digital laser printing on leather. We embossed leather with the Ozwald Boateng collection launched last year. This year, we did serigraphy on it with the Fornasetti limited-edition Vanity Fair XC armchair.
Another area is textiles, which represents the most popular upholstery material. We want to ensure our textile materials work well with our leathers and their colour palette as well.
More glimpses of Poltrona Frau at Milan Design Week 2024; Image Courtesy Poltrona Frau
Mrudul: I know design copies are a sore topic, but what are your thoughts on them?
Nicola:Being copied is a sign of success. If you’re copied, it means that you’re recognisable. Having said that, design companies should focus on branding to curb this. They must ensure that their product holds more value than simply the craftsmanship and the originality. All Poltrona Frau products are accompanied by an identity card proving their authenticity. We want to evolve this 20-year-old practice with a blockchain system, giving our creations a unique digital passport. Buyers will be able to scan and verify the product’s originality through an app that can be controlled by them as well as the brand.
Guaranteeing authenticity is important. Plenty of fakes exist for luxury labels like Louis Vuitton or Hermes, which are quite easy to find online. Digital platforms must refuse to sell copies. We’d encountered an issue with an American platform which was selling our products in their luxury section and copies under a false name under another. It cannot work like that — either you sell the original or the copy. As a matter of fact, copies shouldn’t be sold at all.
Parka Sofa by Draga & Aurel; Image Courtesy Poltrona Frau
Mrudul: Poltrona Frau has enjoyed great success and recognition. How do you visualise the future of this legacy ahead?
Nicola: I think the best way to keep the tradition alive is to constantly innovate. In my opinion, the secret of a strong brand lies in being contemporary to the times that we live in and being able to respond to the needs of the clients.
A big legacy always creates trouble when deciding what developments should be made. This year we dared a lot with Squash by Faye Toogood and Parka by Draga & Aurel. We are happy to have dared because even if people did not react positively to our changes, they talked about them. In my opinion, we must make people think. That seed of thought is important.
Mrudul: Any collaborations with Indian designers in the future?
Nicola:Currently, we have the Assaya Armchair by Satyendra Pakhale, an Indian designer currently residing in the Netherlands. We will most likely do something again with him, but of course, the Indian scene is quite dynamic. I’m sure that several Indian designers will come up. As you said before, India is about colour and so is Poltrona Frau. Colour should be used as a theme to create something new.
#TrendAlert Two shots of chutzpah. A scoop of boldness. A smidgen of kitsch. Here is a recipe to brew your style frappuccino. The perfect companion for you to flip through our ode to Gaetano Pesce. Post-modern and provocative, his oeuvre pushes you to chart untrodden territories. But beware of the bewitching after-effects of this maximalist home decor trend for 2024.
Trend and style direction by Yashika Punjabee, Produced by Apeksha Rao, Text by Namrata Dewanjee
Heterogeneous, harmonious and unapologetically audacious. Behold Pesce’s set for Bottega Veneta’s Summer ‘23 show. The maverick designer proclaimed, “This space is a tribute to diversity. It is about the human being; we are all different.” And so are the 400 resin chairs and the sculptural walkway that serve a scoopful of “gorgeous granita”; Photograph by Matteo Canestraro
FROM TOP “SUNRISE CACTUS” COAT STAND by Gufram in collaboration with Paul Smith, ₹8,12,000 “ONE PAGE” CHAIR by Moroso, ₹2,85,00
FROM TOP “MARBLE MARBLING ESA” VASE WITH COLOURED CEMENT INLAY by Zanellato/Bortotto for Del Savio 1910, ₹2,23,600 STEEL PENDANT LAMP SHADE from the TESAMMANS collection by IKEA in collaboration with Raw Color, ₹1,990 ORANGE “FOLIA #5168” CERAMIC SCULPTURE FINISHED IN ALUMINIUM FOIL AND GOUACHE by Naoki Kawano, ₹1,43,000
CLOCKWISE FROM TOP AUTUMN “SWIRL” WOOLEN RUG by Univers Uchronia for cc-tapis, price on request “SUNRISE ON THE MOUNTAIN” NATURAL CANE SCULPTURE by The Wicker Story, ₹1,50,000 “INDIA” HAND-CUT AND HANDMADE CRYSTAL CANDLE HOLDER by Reflections Copenhagen, available at Opulin, price on request
Tangerine arches tumbling. A chikoo rendezvous. Strawberry soft serve with a side of greens. Gay abandon takes over this apartment in Mumbai by Zero9 and offers a generous helping of the “gorgeous granita”. Curiously dubbed unGREY, sober shades harmonise with the saccharine while curves share pride of place with straight lines. Murmurs of Mid-century Modern geometry. A pinch of retro panache. Nothing, yet everything comes together at this home; Photograph by Yadnyesh Joshi; Styling by Anu Chauhan and Salonee Thakre
Move over silver linings, this cloud is crafted in cotton candy. Toshiya Hayashi and Hokuto Ando of Japanese studio we+ pair up with curator Marcello Smarrelli of Fondazione Ermanno Casoli to play mixologist, stirring up a site-specific installation Straordinaria for Elica. A riot of raspberry, a hint of mango and an overflow of blueberry, sip guilt-free on the joie de vivre concoction; Photograph by Genevieve Lutkin
Why should maximalists have all the fun? Designed by Tanya Mallavarapu Studio, this minimal apartment in Chennai isan undeniable classic, unafraid of a pop of colour (or two).
Extendingacross 2,500 sq ft, the space sports an abundance of toasty-hued wood, containing curves and sharp angles in equal measure. Ample daylight gushes in through its windows, bouncing off the cream-hued walls. Despite being minimal, one spots a plethora of prints and colours in doses potent enough to dispel any beige-induced boredom.
Accessories by West Elm, Pure Living and Oma, custom carpet by The Weaver, cushions and throw by West Elm and Studio Covers, wooden armchairs by Dtale, the coffee table is custom made by Escape by Creatomy and the sofa is custom made by Bequest with wallpaper by Vycon; Photography by Phosart Studio
Giving peace a chance
In an unexpected turn of events, nature emerged as the driving force behind the overall design — a fact that we’d wager romantic poets like Wordsworth or Coleridge would approve of. Throes of trees and lush greens sprawl below the apartment, inspiring the homeowners to craft a serene space where they could kick back and relax. Tanya, the founder of her eponymous studio, found this blank canvas perfect for cooking up some delectable design. She states “The home breaks away from many design clichés and is designed as a timeless space. Each space in the apartment has its own identity.” Containing a bevy of contemporary elements and tonal textures, an open layout was prioritised to make the best of the fresh breeze that pours in.
The living room sports wooden armchairs by Dtale atop marble flooring, the partitions crafted from brushed black matte aluminium framed clear glass and custom lighting by Emanate; Photography by Phosart Studio
Classic with a twist
Distinctively contemporary yet grounded, the space does not shy away from experimentation — especially of the tactile kind. Bevelled mirror panelling in brass and black decorates the foyer. The living room, dining space and kitchen are interconnected, separated by partitions one can push and pull at their own will. Three bedrooms and a den lie further within, each one containing a varied array of materials and textures.
Within the Foyer, the custom console and mirror sport brass accents, while the pendant lighting is custom made by Emanate and accessories are from Pure Home and Home Artisan; Photography by Phosart Studio
One wall in the living room is fitted with Veneer panelling from Arte di Lusso with ICA Pidilite finishes and artwork from Life with Objects, the printed armchairs are custom-made by Bequest and so are the side tables by Escape by Creatomy with accessories from West Elm, Pure Living and Oma; Photography by Phosart Studio
The powder blue sectional in the living room may take you by surprise. A vibrant abstract painting by Agathe Patil basks in the spotlight, a lone figure on the walls enjoying its fair share of attention. One dark veneer-panelled wall clad in brown nestles to the side, the metaphorical wallflower that clings to the space’s periphery. Adding to the whimsy, geometric motifs exist in harmony with languid curves splayed across the home.
The dining table is custom and features a sunburst veneer marquetry top with brass trims, while the chairs are custom-made by Bequest and accessories by Oma; Photography by Phosart Studio
Within the dining space is where the neutral palette shines the brightest, egged on by a dramatic cove ceiling and a textured fabric wallpaper in gold. A chandelier crowns the circular tables, the chairs echoing the curve. This carefully stitched neutral palette takes on newer forms within each of the three bedrooms. Fluted accents and metallic accents like brass appear in the master bedroom, while the second bedroom is plush with a boucle bed. A subtle, geometric wallpaper lines the walls with a barely imperceptible sheen. Contrary to this, the kid’s bedroom encourages playfulness with a canopy bed occupying centre stage.
In the master bedroom, the headboard is crafted with wallpaper and ICA matte lacquer with wood veneer frames, wall sconces custom made by Emanate, bedding by Sarita Handa, Studio Covers and Amala Earth and bed from Dtale, the nightstands are custom made by Bequest and accessories are from Oma, Pure Home, Objectry, Life with Objects, Studio Osmos and Spacio Dreams; Photography by Phosart Studio
The four-poster bed in the children’s room is by Dtale with bedding by Sarita Handa, D Decor and Amala Earth and printed wallpaper by Borastapeter, custom wall sconces by Emanate; Photography by Phosart Studio
Replete with another plush sectional, the den emerges as a third space ideal for the family to converge in. The built-in bookshelf makes the space ideal for lounging and entertaining (and a great source of delight for bookworms, too).
The artwork within the study room is by Sarita Handa, while the sectional is from Dtale and accessories are from Oma, Pure Home and Objectry, sitting atop a carpet from Rugberry; Photography by Phosart Studio
A little colour never hurt anybody
Containing multitudes, the colour palette veers between neutrals to energising bouts of colour. The minimal palette emerges as anything but monotonous, owing to dollops of fluted wood, glossy veneer and patterned wallpaper that make an appearance. Eclectic decor and abstract forms line the walls, as the overarching neutral palette forms a fail-safe base ideal for experimentation. After all, naysayers may label beige as basic — but one cannot deny its universal appeal.
Printed wallpaper by Borastapeter adorns the children’s bedroom with a custom console by Dtale Home and custom lighting by Emanate, the artwork is by Agathe Patil and accessories are from Pure Home; Photography by Phosart Studio
The kitchen contains custom cabinetry with matte lacquer finishes from ICA Pidilite, with fluted oak and tinted glass shutters and a countertop finished in quartz; Photography by Phosart Studio
Timeless design harbours multiple definitions depending on who you ask, open to interpretation. Experimenting with this very notion, the apartment emerges as the design studio’s own rendition of this elusive quality, tailor-made for a family and their needs.
Everyone’s obsessed with pink but no one confesses it. Secrets as us millennials love harbouring, are precisely why this silent revolutionary of a shade — Neo Pink tops the charts as the sweet suspect of this season. From the Barbie pink decor to the millennial pink interiors, neo pink is unlike any other!
Trend direction by Yashika Punjabee, Produced by Juhi Agarwal and Apeksha Rao
The Inspiration
I was never a fan of pink. This risky, anti-pink antithesis of a confession always draws me to the gentle superpower of pink. A colour sans gender. A colour reminiscent of Barbie’s iconic days. It’s young. It’s wise. It’s a relentless rebel disguised in saccharine seduction. Sit back and watch this new-age palette tickle your attention as its ironic candy character takes over our living spaces (and of course the internet!)
1. PINK ONYX STONE by Stonex India 2. “DUSK” VETRITE GLASS SLAB part of the Onigem collection by Sicis, available at Tessera 3. “ROSE RHAPSODY 8130” ROYALE LUXURY EMULSION PAINT by Asian Paints 4. “002 DRAGÉE OUISTITIS & CO” WALLPAPER part of the Confettis collection by Pierre Frey, available at Asian Paints all prices on request 5. “NARA” SUBWAY TILE by Ikigai, an FCML Surfaces Venture, `264 per sq ft 6. “BOUDOIR” VELVET FABRIC by Dialogues by Nirmals, `2,430 per metre 7. “GIR WOOD ROSE” COTTON LINEN BLEND FABRIC by Gulmohar Lane, `3,090 per mtr 8. “AMAZONIA” FLORENCE PINK DYED SILK WALLPAPER part of the Chinoiserie collection, designed by Edgardo Osorio of Aquazzura for de Gournay, price on request 9. “QUARTZ” BRASS AND CRYSTAL HANDLE by Mantara, `2,599 per piece 10. “THE HUNT” METALLIC WALLPAPER part of the Inscape collection by Raseel at CASA POP in collaboration with Floor & Furnishings, `9,486 per sq mtr 11. “MIAMI PINK TINKISSO” KITCHEN TAP by Dowsing & Reynolds, `15,445 per piece
The Features
What would it be like to binge on pink? Visually or otherwise. This home in Ahmedabad unpacks a renewed neutrality that Neo Pink carries with(in) it, glazing the kitchen and dining spaces created by Huzefa Rangwala and Jasem Pirani of MuseLAB. Seasonless, delectable and just joyous, the easy versatility of pink seeps into the surfaces and interiors, reflecting a burst of familiarity.
Website: www.muselab.in Photography by Nayan Soni @nayansoni
The Products
With a sober dynamism, shades of pink adorn a multitude of shapes and forms for refined and experimental pieces to layer up the living spaces.
1. “MINERAL” VELVET ARMCHAIR by Vincent Mazenauer 2. “CACTUS” WINE GLASS part of the Desert Plants collection designed by Alessandra Baldereschi for Ichendorf Milano, both prices on request3. DRIP COFFEE MACHINE IN CADILLAC PINK designed by Deepdesign Studio for Smeg, `36,000 4. “MAHALO” DINING CHAIR designed by John Koga for RALPH PUCCI International, price on request5. “FIUME” GLASS WATER PITCHER by Ikai Asai, `1,800 6. “MACARON” TABLE LAMP designed by Lucie Koldova for Brokis, available at Innovative Design Group, price on request 7. “MINNEN” BED FRAME by IKEA, `8,9908.”DEVIL’S FAMILY” VASE designed by Alessandro Mendini and Daniel Eltner for Cappellini, available at Opulin, price on request
In Kolkata‘s labyrinthine lanes, rises the architectural jewel, THE 42 residential skyscraper, a beacon of modern living and luxury. Within this iconic structure, is a maximalist dwelling bursting with added layers of decor, tied together by design partners Amrita Guha and Joya Nandurdikar of Untitled Design Consultants.
Art savants can find an assemblage of artworks and installations in every corner of this spectacular 7,000 sq ft apartment.
All furniture in the living room is by Furganomics. Wall panels by Gomaads and the mounted artwork by S.H. Raza from Astha Guru set the perfect backdrop. Above, you’ll find the bocci clouds light installation from Lightbox. A chunky Lamp from Mahendra Doshi, large ceramic vase by Eeshan Kashyap, small naga peg table by Makaan Jaipur and the Carpet by Jaipur Rugs, draw you in for a cup of tea; Photography by Nivedita Gupta
The tactile stone wall holds charcoal art by Paresh Maity & Cima Art Gallery. The large art by Jogen Chawdhury from Emami Art Gallery makes the space feel curated and special. The Platter above the coffee table by Zikwa and antique Bastar tribal fish culture from Chor Bazaar further add to the artisanal touches; Photography by Nivedita Gupta
From the antique silver birds from Chor Bazaar Mumbai to the blue pottery vase from Zikwa, every step unveils a new delight. The exquisitely showcased art behind the water feature is by Ankush Safaya from Latitude 28; Photography by Nivedita Gupta
A charismatic dining table in light green aventurine adds a subtle pop of colour, making it a perfect centrepiece. It is paired with thoughtfully crafted cane-woven chairs by Furgonomics; Photography by Nivedita Gupta
Serene stones
Stonescapes in their natural variation and veining reign supreme in this Art Deco home. Granite walls with gleaming brass details and a ceramic horse installation by Partha Dasgupta greet you in the lift lobby. But wait, there’s more.
It’s impossible to ignore the water feature, created from massive stone slabs by Odyssey. The home’s entrance welcomes you from a bold crafted main door into a foyer designed to be admired from all sides.
The focal point here is a water feature, created from massive stone slabs with brass and silver Khadau and etched Pali script featuring by Odyssey symbolise blessings; Photography by Nivedita Gupta
The foyer is enriched with antique brass panels, Revati Sharma Singh’s ceramic installation “Nothing Be Lost” from Latitude 28, and an exquisite console with marquetry shutters. A tall shoe storage is complemented with a bench by Furganomics. Lighting up this delightful space is a Table lamp from Mahendra Doshi; Photography by Nivedita Gupta
The light fixture in the bedroom is by Furgonomics; Photography by Nivedita Gupta
Pops of personality
Enter the living room where every amorphous object d’art tells a unique story of discovery. Your gaze will naturally be drawn to curated artworks, rich artefacts and Gomaads’ concrete wall panels. A stone wall with brass and silver Khadau and etched Pali script, lends another artistic connection to the space. “Our favourite space is the living room as our signature style is most evident here.” the designers exclaim.
The leather and cane bed is by Furgonomics covered in linen by Shades of India and the mill work is by Buildkraft India. The hanging artwork is by Bhuwal Prasad from Art Bela; Photography by Nivedita Gupta
Etched basalt stone background sports artwork by Santanu Dey sourced from Art Incept. The furniture is from Furgonomics and the bed linen is by Shades of India. The light is from Lightbox; Photography by Nivedita Gupta
A coffee table by Furgonomics is designed around the concept of Panchtatvas – the five elements; Photography by Nivedita Gupta
The dining area opens up like a curious maze of details and vibrant art, featuring a bespoke table in green aventurine paired with cane-woven chairs. For the designers, this workplace became a ground for experimentation, given the owner’s love for flamboyance and a clear preference for maximalism. “To ensure practical needs we decided to glamorise the public spaces, while keeping the bedrooms refreshingly simple and functional” Amrita articulates.
The signature sideboard with intricate Thathera work in brass and bronze indicates Furgonomics dedication to layer ancient craft techniques on modern designs. Artwork by Tanmoy Samanta serves as quite the backdrop for the bold red vases by Zikwa; Photography by Nivedita Gupta
Rooms to remember
Art and function co-exist in all the bedrooms. The magic multiplies in the master bedroom as it overlooks the majestic Victoria Memorial. Lighter colour tones on furniture and etched basalt stone headboard, create an illusion of expansiveness.
Despite apparent similarities, you discover disparate details in the elder daughter’s bedroom — cosy seating ledges along the windows, a cane and walnut bed in the centre, and an installation by Bhuwal Prasad from Art Bella. Meanwhile, the younger daughter’s room has a capacious gadda bed for sleepovers and is done up in wooden finishes. The dedication to craftsmanship extends to the dressers and washrooms.
A sculptural brass wash basin takes centre stage in the powder room. Above, art by Santanu Dey titled “Memories of an Old Tree” crowns the stone walls from Marble City; Photography by Nivedita Gupta
Stone lights by Furgonomics illuminate a wash basin by Gomaads. The terrazzo by Kalinga Stone steals the spotlight; Photography by Nivedita Gupta
Mill work by Gomaads provides an arresting backdrop to the wash basin by Gomaads. The terrazzo flooring and counter by Kalinga Stone; Photography by Nivedita Gupta
The paper art by Ashok Acharya. The light is by Furgonomics and the bathtub by Kohler; Photography by Nivedita Gupta
Another signature style is the family lounge offering both comfort and a connection to the homeowner’s artistic passions. The designers joyfully went sourcing artworks from art galleries, antique shops and various cities with them. Wrapping the home in a luxurious jargon, they concluded, “Our approach is always to cater to the owner’s personal, cultural and sensorial preferences and represent them through good design, to which this home is a testimony.”
What defines a home for you? Is it a cosy cove you can call your own after a long day? Or a bespoke space that sets the bar high on multiple fronts. Rakessh Jeswaani’s latest residential undertaking in Mumbai answers this by finding a sweet balance between fancy and functionality, vintage and modern. He meshes it with his progressive design philosophy to create a sharp visual and functional impact.
Created for a couple and their son, the dwellers aspired for an airy bungalow-esque feel within the 5,000 sq ft apartment. Which led to inclusions like a stairway, slatted wooden sliding doors, indoor plants and large French windows for natural light to stream in.
The formal living room is fused with a warm and welcoming energy, with the inclusion of décor elements like striking wall art by Shola Carletti, Soreluna wall-mounted lamps from Paolo Castelli, an Era table lamp from Dolce & Gabbana; Photography by Ashiq MK
The homeowners’ cherished collection of Chinese blue and white ceramic jars from ZJM Exports occupies a pride of place in the dining area. The jars strike a refreshing contrast to the subdued interiors that feature Grey Sicilia marble flooring from Stone Source Select, and an earthy-toned dining set. The table is sourced from Landform From Stylish Club, while the chairs are by Casa Larzia From Trussardi. All curtains and soft furnishings were conceptualised by Nirav Meswani Of Surprise Home Linen; Photography by Ashiq MK
The formal living room exudes a distinct personality, with striking features like grey stone panels on both the sides of the walls. The Cloud infinity curved sofa and livre swivel arm chair are from Galloti & Radice, and the centre table is done by Haumea from Galloti & Radice; Photography by Ashiq MK
The son’s study features a sturdy desk from Marina. The white wooden finish flooring is from C. Bhogilal Westend and the artwork is by Vanita Gupta; Photography by Ashiq MK
Understated luxury
A quick home tour makes Rakessh Jeswaani’s vision clear — space-saving ideas and flexible furniture are at the heart of this design, while a sense of understated luxury permeates. “We kept the palette in warm tones of taupe and grey to give this home a soothing vibe,” says the principal architect of his eponymous firm. He adds, “The living room has been deliberately created in an enclosed space to give it a cosy and luxurious vibe which could not have been achieved if we’d planned it as a large open space.”
The neutral-toned furniture with just a few subtle touches of colour gives the space a timeless feel, while a striking artwork by Raman Adone at the entrance, Shola Carletti painting in the living room and the Dolce & Gabbana coffee table under the staircase leave a lasting impact. “We chose to be judicious with the use of colours. The material palette evolved as a blend of earthy textures and matte finishes, which were layered with glamorous and eye-catching elements like the brass detailing and the plush white sofa,” the principal architect of Rakessh Jeswaani Interior Architects outlines.
The area under the stairway doubles up as a cosy reading nook, mirroring the designer’s keen eye for spatial utilisation. The rocking chair is from Gervasoni and the golden cloud chandelier is from Paolo Castelli. The plants are from Plant People; Photography by Ashiq MK
The stairway corner stands out owing to a volley of statement coffee table. The grey Sicilia marble flooring and staircase marble are sourced from Stone Source Select, while the Diana coffee table is from Dolce & Gabbana. The staircase railing in brass vertical pipes with a solid wood handrail veneer in Picassa grey is from Deluxe Veneer; Photography by Ashiq MK
The dressing area of the master bedroom features eye-catching furnishings like a deep-hued wallpaper from Arte, the SEOUL console was sourced from FRATO, while the mirror is from the Cappadocia range by FRATO. The lighting is from White Teak Company, while the wardrobe finishes in Picassa Veneer are from Deluxe Veneer; Photography by Ashiq MK
The son’s bedroom features a white brick wall and mirror panelling with wooden frames that lend a rustic touch to the room. The bed from the Paradise range and the round peg Tuky table are from Witmann; Photography by Ashiq MK
Practicality meets glam
When quizzed about the corner he loved designing the most, he says, “I loved designing the living area and the C-shaped staircase, as the latter also happens to be a focal point in the space. It was exciting and challenging because the space came with its challenges and was quite restricted.”
Maybe, at the end of the day, we all want the same thing — a safe space that mutes out of the clamour of the city and just lets you be. And this breezy abode, which has all the bearings of a contemporary home, along with a penchant for spatial utilisation echoes across this airy Vastu-compliant home.
A sense of warmth seeps through the subdued interiors of the guest bedroom. The wallpaper is by Arte, while the Zeus bed and puzzle are from Woodliv; Photography by Ashiq MK
In the master bathroom, the grey Sicilia marble flooring is from Stone Source Select, the flooring is from SICIS from C BHOGILAL West-End and the Greta mirrors are from MARIONI. The YOYO Chandelier is from Bruno Zampa. All curtains & soft furnishing conceptualised by Nirav Meswani of Housewarming by Surprise Home Living; Photography by Ashiq MK