Article Category: Design

Crafted as an epitome of class and elegance, this 5,000 sq ft corporate office of a successful private equity firm is located in Worli’s Ceejay House, one of the city’s prime business districts. It is designed by Rajiv Parekh, Ekta Parekh, Apoorva Shroff and Maithili Raut of Mumbai based practice reD Architects. Having previously worked with the clients on similar projects, the team was well-acquainted with the firm’s desired visual and aesthetic style.

From the reception, the layout branches out to provide access to the public areas including the boardrooms, smaller meeting areas, VIP lounge, cafeteria and restrooms. 

This deliberate unfolding of spaces was planned in such a manner so as to avoid disturbing the main workstations—thereby maximising efficiency and productivity.

The creatives made sure the interiors resonated an air of confidence and stability, in accordance with the company. Conceptualised as wholesome and comfortable units, numerous curves and rounded corners were brought in to add softness. These weren’t restrained to details and played a significant role in larger surfaces. Take, for example, the seamless blurring of the point where walls meet ceilings and the intersection of window frames.

“In the smaller lounge area, curved surfaces coupled with warm wood textures created a cosy cocoon and intimate ambience within the overall, larger space. This setting was fashioned to facilitate power-packed discussions in a relaxed, formal environment,” explains Apoorva, one of the partners.

Another space, one that the team enjoyed designing the most, is enveloped in wood. The veneer begins at the skirting and continues onto the ceiling with inbuilt, carved niches to hold trophies and books. The joineries are concealed behind strategically positioned decorative mouldings. A plush, royal blue carpet further enhances the comfy vibe, while a verdant patch of green right outside is refreshing to gaze at.

No project by reD Architects is complete without adding plants to the decor. “We feel that not only does natural flora help purify the air we breathe and aid in ventilation, it also amps up the positivity quotient of any indoor space. We strive to come up with bespoke arrangements and configuration options that are best suited for each individual space,” shares Shroff.

The employed material palette is restrained yet diverse enough to paint a picture of supreme luxury. Examples include slatted and solid timber surfaces across the office, inlaid marble flooring in the reception area and even the use of diverse, sound-absorbing carpets in other zones. Clad in these sophisticated and muted hues, the office appears bright and airy while also letting artefacts and accessories bring in the occasional vibrancy. 

Located on the coast of the East China Sea, Zhongshuge has admirably interpreted the contemporary culture of Ningbo, China, celebrating the vibrant heritage of the city. Designer Li Xiang uses his cutting-edge vision and creates a unique environment with a vivid expression and bold outline. 

The entrance features a glass curtain wall embedded in its thick stone facade, which extends into a coffee area. Walking through the enormous glass door, the space transforms as the light colour expanse and its fine grid book wall come into view. Here, armchairs and leisure seats are scattered around for easy seating.

The warm and white light in front of the sofa adds to the ambience, giving both the books and its readers a vibrant and vivid atmosphere to settle in.

On the other side of the glass wall lies another visual marvel. Walnut and black-hued bookshelves overlap to mimic towering rocks, long washed by running water. The designer integrates the texture of rocks into the surface of the bookshelves for a mesmerising appeal. The bookshelves are arranged unevenly and the ceiling cabinets are scattered, providing room for optical exploration. The composition instantly draws its readers into the giant landscape paintings that display the cultural heritage of Ningbo.

A ladder reaches the upper level, where a multidimensional stacking of large bookshelves reflects the designer’s approach to the bookshelves. The clever use of a mirror here broadens the visual experience within the limited space. 

The bookshelves that are used to display books are also integrated into the storage cabinets. Those at the lower level are used as “seats” on the steps. Under the warm light, an elegant and quiet reading atmosphere is created, which perfectly condenses the reader’s concentration, increases the value of people’s time and revitalises the operation of the bookstore.

Taking into account the vertical height of the forum area, the designer creates a double lecture hall that is high in the middle and lower on both sides. The high spot of the hall provides a bird’s eye view of the whole space bordered with book walls. It effectively satisfies different demands of readers by creating a picturesque backdrop and maximising space utilisation and practicability.

The cafe on the second floor features bookshelves arranged in an orderly manner around windows to create chic little reading nooks. Under the mirrored ceiling, the height of the different levels doubles visually. 

The clean and simple teaching auxiliary area provides a serene temple-like space. The facade wall of the arch shape extends to the corner of the conference room on both sides. The retro-European style sublimates the reading experience and adds a sense of tranquillity.

Playful compositions including quirky shapes and vibrant colours depict the aesthetics of the children’s area. The reading tables inspired by the rattle drum add a touch of humour, while the ladder and wall partition provide additional seating.

Music tracks—as well as bookshelves shaped like Chinese instruments—convey a symbol of customary etiquette and poise native to Ningbo. This originates from the designer’s rich feelings towards traditional culture, as he aims to form an ideal environment for children.

Designing an office space for a couple with different professions—one’s a fashion designer while the other, a chartered accountant—might seem like a difficult task for some but Shruti Malani of Intrinsic Designs has proved otherwise.

She’s effortlessly and elegantly woven in the intricacies of both businesses to create Curves and Dashes. 

With a brief that focused on natural light within workspaces and an aesthetic that complemented their professions while maintaining uniformity, the creative fashioned the 450 sq ft with an unconventional design approach.

Shared as a fashion designer’s boutique and chartered accountant’s office, Malani created a linear division between the two distinct workspaces to let ample daylight in. The project gets its moniker for the curves in the use of timber and the dashes in the flooring tiles. 

Further inside, the office unfolds into a series of separate spaces coalesced by a uniform design language of muted browns, arched doorways and cement tiled flooring in grey and white dashes that stretch seamlessly across the setting. 

Fabricated elliptical curves and gently rounded edges characterise the space, while creating maximum utility. A display niche with soft contours enfolds at an angle beside the trial room, where a cluster of ethnic wear is accommodated against a neutral backdrop.

“Our idea was to keep the interiors so minimal that the focus remains only on the clothes. We believe that Indian ethnic wear is so full of details and colours, and the space should be mild enough to justify it,” shares Malani.

An ambitious use of mirrors acts as a backdrop and an essential fixture in the trial room, making the space seem expansive. A reflection of panelling is seen rising towards the exposed concrete finished ceiling while an array of these strips becomes a seamless wall surface as the eye glides around the curves and dashes.

Zydus Cadila’s new 20,000 sq ft office in Ahmedabad doesn’t look like your stereotypical workspace of a pharmaceutical company. Spacious and contemporary with curved corners, clean silhouettes and a light palette, it has been transformed by Iram Sultan Design Studio into a distinctly aesthetic centre with thoughtful allusions to the medical field.

Iram Sultan and Mohit Kansal worked on the project along with site contractors Garnet Pvt Ltd. “The space was a raw, bare shell when we first saw it. Zydus Cadila is a pharmaceutical company and the design intent was to ensure that their office reflected what they do,” says Sultan, adding, “Our designs are always inspired by the two Cs—context and client. So, first up, is the context…that this is the office floor for the chairman of a large pharmaceutical company.”

So, Sultan and the team turned to the two shapes most common in pharmaceuticals—that of a capsule and a pill—and incorporated these into the design. This is clear from the layout itself, including the brickwork that renders rounded corners. The smaller, subtle references include the inlaid pieces of bronze on either sides of all doors and the mouldings that depict two halves of a broken capsule.

The receding arches create an interesting perspective in one of the long corridors leading to both the wings…as the ceilings dip, curve and vault in fluid continuance. Art plays a significant role in the design of Zydus Cadila’s office. Works by prominent Indian names such as Atul Dodiya and Arpita Singh elevate the space, while British artist Damien Hirst’s pill series is hailed the piece de resistance.

“We worked with various designers—Zikwa created custom pieces for the office, Rooshad Shroff created a table with pressed dried flowers, Loco Design worked on the massive board table and a desk, and finally, Klove Studio fashioned a wall installation based on equipment used by apothecaries of yore, the origins of pharmaceuticals. The design is bespoke and contextual in more ways than one,” says Sultan.

Colours for the custom crafted, leather table in the board room are borrowed from the company logo. The table also playfully interprets the cross form in multiple ways—from bronze inlays to sculpted 3D forms. Meanwhile, the flooring inlay pattern seen across the corridors is also derived from the logo.

The division that works on developing purely organic products is given a custom designed table for its meeting room, where the base mimics a rock. The curved corners of the walls have a handmade installation of porcelain art pieces by Zikwa, which is an abstract representation of all the natural ingredients that the products are made of.

The materiality of the space is crisp, balanced and elegant. Warm dyed oak veneer on the walls is offset by sharp black and white stone inlay of the flooring. The pale grey stone floor is soft yet warm. It contrasts against the wooden floors of the individual, darker toned offices. Understated strips of bronze draw clear lines to accentuate the spaces. Another element of softness is the dining room table with lacquered dried flowers, while the lighting by Vis À Vis takes the interiors to the next level.

“Detailing is vital to this space. Take, for example, the interplay of materials such as the thin bronze coloured metal sheets that wrap around the arches and conceal a gentle light or even the various plaster-finished ceiling forms,” says Sultan.

“This project is very close to my design style. The client and I had great synergy and the entire process was extremely harmonious as a result. At my studio, we pride ourselves on always working backwards from a brief and making a space intimately our clients. I strongly believe that our client is our context, our first collaborator on any project and their wish list is our direction,” she concludes.

Rooted in the intricate crafts of India, Fabindia’s latest home collection embraces our heritage and traditional values with an alluring finesse, igniting the bonafide Indian festive spirit among all of us. The 2020 range, however, is more than just a tribute to the country’s vibrant culture and upbeat nature. It is also a homage to our planet Earth, as it adopts a sustainable philosophy to reduce, reuse, and recycle. 

Fabindia was founded by John Bissell, who set his heart on taking Indian artisanship and handiwork to new heights. Sixty years later this dream is a triumphant reality. What was once a single store in Greater Kailash, is now an empire with over 327 stores across the country and more throughout the world, introducing diverse weaves and rich textiles to homes across India.

The brand’s dominance in the domestic market was further cemented by its reputable association with Riten Mozumdar, an icon in his own right. As one of the country’s distinguished minds and a prodigy in its modernist design renaissance, his oeuvre, and inventive spirit revolutionized the world of design. Who can forget his wonderful bold patterns and designs that customers waited for with bated breath and treasure till today?

The 2020 line magnificently encapsulates this venturesome spirit, skillfully embracing our rich heritage across two distinguished collections of traditional furniture. Amer features a timeless elegance including turned legs and intricate spindle work, and Sattva is a classic curation of cane furniture, paying a tribute to Fabindia’s age-old commitment to craft communities. Both feature iconic, timeless pieces, designed as works of today, but destined to be heirlooms of tomorrow.

Sustaining the brand’s fidelity to Indian artistry and heritage, the curated collections are anchored in tradition, yet perfectly suited to sleek modern living, The season’s inclusion of hand-printed silk cushions and runners, contemporary lighting, rugs, and festive decor spins an effortless narrative with ethnic elegance, grace, and classic styles yielding years of pleasure. 

However, this is not where the story ends. In addition, is Shunya, Fabindia’s remarkable extension to a journey of lifelong sustainability. The label’s effort to minimize waste and reduce their carbon footprint stemmed the way for discarded, single-use plastic bottles to be fashioned into rugs.

These handwoven, upcycled floor coverings hold an ultra-soft texture while being all-weather, stain resistant, ideal for both indoors and outdoors. For 60 years Fabindia’s commitment to supporting ancient crafts and rural communities that depend on them has been unwavering. Shunya marks the start of a dedicated effort to make an environmental impact—recycled yarn, woven the traditional way for resultant furnishings that are twice as good.

A fancy design for a fancy brand… Disha Bhavsar and Shivani Ajmera of Quirk Studio have concocted the perfect mix of flamboyant, chic and feminine elements for boutique clothing label Fancy Pants’s second store in Mumbai.

“In contrast to its Juhu store, which was also designed by us, this outlet plays with hot pink and emerald green,” shares Bhavsar. As soon as we enter the store, we’re captivated by a bright LED sign that spells out the brand’s ideology to ‘Be Fierce Be Fancy’.

A terrazzo-style flooring complements the vibrant interiors, while a high ceiling creates adequate volume and is cloaked in baby pink hues with wall panels. Elegant brass-finished racks and tables characterise the space, while a bespoke table with a charcoal countertop sits in the centre of the store housing the brand’s accessories inside pull-out drawers.

Underlying hints of black and white stripes bind the space together, while the products on display become the store’s focal point. All the colours extend to the organically designed, furniture pieces that connect the curves and bold textures paying an ode to Fancy Pants’ celebration of curves. 

The brand’s apparel caters to women of all sizes, regardless of their body shape. This core value finds manifestation in the design through various elements. The dynamic, contrasting combination of colour tones, along with the emphasis on the curved design details, perfectly augments the drama within the store, making it a visually inviting, spatial experience.

Classic arches throughout the store lend an artistic aesthetic reminiscent of shopping arcades. The dressing rooms come with a semi-circular cutout wall, veiled in vivid hues of pink and emerald, and provide a textured backdrop. The pink continues in the drapes of the dressing room.

Track lights and recessed downlights offer optimal illumination and transform the entire store. A dummy vending machine sits inside to create a leisurely experience, while adding to the quirk of the store. “While the store is filled with warmth and visual stimulation, the space is designed for a seamless shopping experience,” concludes Ajmera.

The ongoing pandemic has played and continues to contribute significantly in the way we live, work and interact. After months of isolation, we all crave for in-person meetings and the company of our friends, colleagues, near and dear ones. And the impact on the creative community has been similar.

To channelise this distance and longing into time spent exploring new materials and concepts, the American Hardwood Export Council asked nine leading international designers to craft imaginative and original table and seating designs for a new and improved home office—the most important zone of a residence now.

The participating designers include: Ini Archibong, Maria Bruun, Jaime Hayon, Heatherwick Studio, Sebastian Herkner, Maria Jeglinska, Sabine Marcelis, Studiopepe and Studio Swine. This project not only challenged the creatives to reimagine functionality and aesthetic using the three American hardwoods they were offered—red oak, maple or cherry—it also served as an interactive platform with a global audience. 

The resultant pieces, crafted by artisans in Europe’s Benchmark’s Berkshire workshop while being guided at every step by the creatives comprise the Connected installation, displayed at the Design Museum in London. Countless hours of video conferencing between the craftspeople and nine global designers ensured exact details were met and resulted in a creative showcase despite the lockdown.

“This extraordinary exhibition showcases the results of a unique experiment that sets out to push the boundaries of what is possible with these timbers and to explore how designers and craftspeople adapted their working practices during the lockdown,” said Roderick Wiles, AHEC Regional Director. 

Jaime Hayon
The Spanish designer’s complex and multi-functional setup called Mesamachine (see scroll above) allows its users to work, play, eat or spend time with the family in a single space. Moulded out of American cherry with a clear oil, the table has various storages and shelves integrated as part of its structure. Two playful stools and a bench with cutout smiley faces accompany this versatile counter.

Sebastian Herkner
Featuring skived tracks, that facilitate the movement of trays atop the table, German designer’s Stammtisch, translating to regulars table is a peak into his life and signature style. The rounded piece of furniture (see scroll above) has a stack of trays in varying sizes and uses a thoughtful curation of materials—bleached red oak for the table, American maple for the large tray and red oak for the smaller tray and stools—in different finishes.

Sabine Marcelis
The Candy Cubicle by this New Zealand based designer easily transitions from an open setup to facilitate work and a closed one to signal pack up with the help of casters. The expandable, bright yellow unit (see scroll above) has outer and inner surfaces fashioned in veneered American maple. Inside, compartments have been designed to accommodate books, computer and a circular stool, made from stacked and turned solid maple.

Ini Archibong

This Switzerland based product designer’s outdoor table and bench pair, called the Kadamba Gate entrances with its sculptural form. The table with a metal base rests atop numerous irregularly shaped extrusions of varying heights inspired by the Giant’s Causeway in Northern Ireland.

It is made using a mix of materials including cherry and thermally modified American red oak. The bench follows suit with a similar frame and a removable vegetable tanned leather seat pad, custom crafted by Bill Amberg Studio

Maria Bruun

The subtle design for this Danish creative’s Nordic Pioneer series reminds us of beauty in simplicity. Fashioned entirely in American maple, this foldable counter has an elegant wood hinge detail, running along its entire length and rounded feet. Bruun’s seat references the functional and linear lines of the table while stackable stools with rounded seat pads are moulded from solid maple.

Heatherwick Studio

Months of isolation and longing for the outdoors led the British architectural and design studio to settle on a biophilic theme for their creation Stem. The concept features interspersed plants held in pillar-shaped pots emerging onto a glass tabletop. The craft of wooden spoon carving inspired an integrated shelving unit with carved timber uprights and glass shelves as well as a Gotland shearling upholstered seat with matching form.

Maria Jeglinska

The Polish creative draws inspiration from the curves of the human body as well as the architecture of Benedictine abbeys to shape this sculptural setup, comprising an American cherry table. The angled legs of the table adopt a peculiar, quarter moon shape to create tension, aided by inset metal plates while the chair’s coopered side panels celebrate the resilience of the hardwood used.

Studiopepe

This Italian practice was inspired by phenomenons that mark cycles of renewal and new beginnings such as the Pink moon in spring. Conceptualised as a single composition, the contemporary seat with a large moon shaped backrest in American maple appears to float above when pulled closer to the table, which also features contrasting inlay details in its legs.

Studio Swine 

The Humble Administrator’s Chair and Table by Japanese architect Azusa Murakami and British artist Alexander Groves has a throne-like appearance, reminiscent of traditional Chinese gardens and the archetype of the Ming Chair.

The duo missed the vibrant hues of nature during the lockdown, which is why they chose caramel toned American cherry and Red American oak for the seat. A smooth, subdued table counter with an inset laptop shelf offers just the right balance to the frame.

In bustling cities, a new business venture is born every day. And each of these needs a fabulous office to go with it! So, we’ve scoured the country and rounded up a list of some of the most beautiful and thoughtfully designed workspaces that focus on evolving design, social distancing norms of 2020 and wooing employees back to them.

Barcode-themed office by The Arch Studio
This 750 sq ft experimental space (see scroll above) in Pune sets itself apart from the monotony of the corporate jungle by creating a striking visual statement. The design is a spin on the domination of technology in every aspect of our urban existence. It uses the barcode as the premise for its furniture, partitions and ceilings—a concept prepared with the intention of bringing the outdoors in without compromising on the privacy of employees. Stimulating a glass box with its transparency and multifunctionality, the workplace’s colour scheme creates a minimalist oasis sticking to a pristine palette with accents of colour. Green chairs, planters and an accent wall clad in a bold wallpaper adds a dose of energy and contrast.

NovoCity Office by Seedle
Originally a warehouse in Thane, this workspace (see scroll above) was reinvented as an adaptive-reuse project, which refurbishes pre-existing buildings into commercial spaces. It opens up to a large courtyard that serves as its centre. This transforms the overall vibe of the office into a calming and peaceful atmosphere, helping employees find respite on long stressful working hours. The reception alone accommodates about 100 people comfortably, and overlooks the entry verandah, from where you can see the lush green landscape beyond and enjoy its serenity. In an attempt to subdue the grave atmosphere that most traditional meeting rooms sport, cove lights have been installed that fall on the light shade veneers creating a soothing ambience. 

NavBharat HQ by Purple Backyard

This 1,200 sq ft space is divided into an office area, and a triathlon studio named Master Mind Triathlon World. It is conceptualised with the intention of creating a soothing atmosphere that is both functional and practical yet eccentric. The studio recreates elements from the very same French villages that host the world’s best known triathlon, the Paris-Roubaix. Design inspirations is drawn from a number of elements, including the charming locales the race passes through.

The office is a unique fusion of modern and contemporary that blends into the transitional style, both spaces separated by a peekaboo glass wall. In order to tie them together, the core aesthetic is kept minimal by leaving the original structure untouched and ceilings bare. The studio sports a whitewash, while the office has a contrasting grey hue, creating a yin yang feel. Meanwhile, the one-of-a-kind Caesar tiles customised into a herringbone pattern uses deep blues contrasts with splashes of green to lend a bold look. 

Office Absolutus by Ashleys Architecture and Interiors

Redefining the concept of sophistication in workroom interiors, this office brings luxury out of the constraints of homes and into workspaces. The space designed for industrialist and former minister Harshvardhan Patil is a visionary expression of subtle luxury. Though young at its core, the interiors bring out a certain mature elegance, exemplifying the client’s lifestyle and panache, subtly interlacing it into the design vocabulary.

The work zones have been strategically constructed to execute a perfect synergy between contemporary design and Vaastu requirements. Interestingly, the plan delivers fluidity between spaces and encourages an unobstructed circulation. The layout produces a functional network with the reception at its epicentre, while the workstations and private lounge are tucked away behind it, and managerial cabins at the periphery.

Mumbai office by SSK Associates

This 700 sq ft space in Mumbai’s Opera House experiments with minimalism, using varied materials such as traditional wood and Alaska marbles with beautiful grey lines. It breaks the spatial constraints by including a functional and optimal layout with soundproof walls that serve as partitions between cabins.

This small details allows the maximum spread of light, enhancing the space while using roller blinds hidden in the ceiling to create privacy. The use of a pastel palette gives the office a peppy and fresh look while maintaining its minimalist core. The entire office space is accessories with pieces from Defurn.

Toppr HQ by Purple Backyard

Another project by this practice is this HQ for an e-learning app, where the design focuses on sustainability and the judicious use of materials. But just because the space embraces climate positive philosophy and function doesn’t mean it skims on aesthetics. Overall, Toppr sports an industrial vibe with exposed service-ducts and pipes running along the ceiling. It draws from Brutalism but is softened through the use of upholstery and planters. A sun-path is installed for daylight saving and glass partitions are placed to maximise natural light (and also double up as writing surfaces). The traditional reception is replaced by a meet-and-greet area. We love how the cafeteria is structured as an informal and casual section. Wood, concrete and granite are used as are hanging lights and planters here. Plus, it opens up to a 3,000 sq ft deck speckled with more shrubbery, making it the perfect place for employees to unwind. 

Home Office by Sanjyt Syngh

Delhi-based interior designer and stylist Sanjyt Syngh is famous for his bold and eccentric ideas! His plans for a stylish and sophisticated home office in Dubai during this pandemic have been to fashion a simple yet efficient space ensuring optimal workflow. So, a designated office area within the premises is created by placing a desk and chairs in a quiet part of the house.

Syngh limits the colour palette to neutrals but juxtaposed with luxurious furniture and carefully selected accents. His strategic use of natural light and a mix of lighting fixtures lends an illusion of this section being bigger. There is, however, no compromise on the overall decor—the subdued design and hues of the desk, chair and storage units perfectly match the neutral grey shades, giving the space a cohesive look.

Kandinskioisys by Compartment S4

The workplace is an abstract interpretation of a painting by Wassily Kandinsky, designed to literally experience the space as a painting. It includes all the parameters essential to a functional design. Indeed, the lines, colours, shapes, composition, balance, imbalance, intersections and divisions are all decoded from one of Kandinsky’s untitled paintings. These were then materialised to achieve offbeat aesthetics—one that’s rooted in comfort and efficiency, and to maximise storage and minimise clutter.

Lucky Securities by Parthenon Architects

Designed by Zaki Shaikh and his team, this 7,500 sq ft office in Mumbai uses optical strategies to combat the shortage of natural light. The reception is fashioned to look like an integrated part of the space. It is framed with a backdrop made of statuario marble that serves as a focal point. Glass partitions give a clear view of the workstations, allowing visitors to enjoy the spectacular hexagonal carpet tiles that lie within. This reception area is inspired by the essence of nature—it adorns a rich green wall that connects the area to the outdoors. The cabins have been kept all-glass to integrate them into the main office and amplify the spread of natural light, but at the same time offer privacy and confidentiality. 

Happy Monday by Valentin Blanchard

Every good design begins with a good story! Located in Gurugram, the Happy Monday office has been revamped by French designer Valentin Blanchard to suit the new social distancing norms. The client Tushar Mittal enlisted Blanchard’s help to create a new typology for the office’s design. So, several “pockets” were created, all interchangeable with one another—starting with a cosy lift lobby that’s made almost entirely with wooden batten. Then comes a welcome pantry, three work zones closed up by several elevated glass panels that act as barriers as well as writable surfaces, five cabins, a private meeting room, a phone booth and a collaborative/creative zone along the bright facade.

Fino Payments Bank by ANA Designs

Located in Mumbai, this state-of-the-art headquarter is planned around a contemporary layout. Its vibrant aesthetic comes with a functional and open plan, which promotes workplace wellness as it is developed on the seven chakra philosophy of Trust, Reliability, Creativity, Communication, Wisdom, Frugality and Empathy. Each quality is represented through a different hue, which resonates with specific frequencies that enable wellbeing among employees. A glocal and futuristic approach is seen in the design with a blend of high-end tech and Indian-origin fabrics and artwork.