Homes

Seeking Sukoon: This Mumbai home by Esha Pandya lays out lessons in the luxury of white

MAY 27, 2024 | By Rhea Mulani
A cosy nook in the home, perfect to curl up with a book in; Photography by Suleiman Merchant
Ultra-comfy sofas from Arjunvir Gujral Design Studio are irresistibly inviting. Abby Lighting’s ceiling fixtures and floor and table lights from Terra Trading exude warmth; Photography by Suleiman Merchant
Arjunvir Gujral Design Studio’s sofa welcomes into the versatile den and is flanked by a side table and floor light from Hatsu. Vases from AJIO adorn the adjacent walls; Photography by Suleiman Merchant
The main bedroom boasts a walk-in-wardrobe, complete with a metallic paint finish (on the door and sliding partition) from ICA Italian Wood Finishes and wardrobe laminate from Greenlam. The ceiling wallpaper is from Tapetex (Supplied By Shreejiinnova Wallcoverings); Photography by Suleiman Merchant
The marble flooring from Stone Capital spreads from the living room into the bedroom. Esha Pandya’s custom-made chest of drawers and desk, sitting across from each other, make for purposeful additions. The Pure Concept Home’s drapes promise utmost privacy with the tanned door veneer from Classic Veneer ; Photography by Suleiman Merchant
The living room remains wrapped in luxury with texture paint from Neocoats and wallpaper from Manila by ARTE (Supplied by The Pure Concept Home). Utility meets style with the inclusion of a metal side table from Hatsu; Photography by Suleiman Merchant

What is a quintessential Bombay-style apartment? This question unravels umpteen answers at this home in Mumbai designed by Esha Pandya. Think reminiscent yet novel. Classic yet contemporary. 

“The attempt was to transport the experiencer across two ends — from the outside chaotic world to the quiet, transcendental world inside,” says Esha, the founder and creative head of her eponymous firm. Standing a class apart with its paradoxical persona, the space designed for a couple in their sixties, continues to develop as one tours its polished passages. Concealed within Malabar Hill’s labyrinth and aptly christened Dahleez, the 1,750 sq ft home stands at the threshold of nostalgia and novelty. 

Esha Pandya
In the living room is a custom-made coffee table by Esha Pandya with a rug from Hatsu. The armchairs are from Arjunvir Gujral Design Studio. Glammy’s sheer curtains (Supplied by Pride Furnishings) sway alongside the indoor Plant’s World greens in a Gaia Pottery planter; Photography by Suleiman Merchant

Don’t be deluded by the nuanced decoration, which stripped to a bare minimum, speaks volumes with resounding ease. “I was intent on designing this space such that it aided in reclaiming a sense of sukoon,” she says. “I kept the company of timeless ghazals that teleport you instantly to a slow life of the yesteryears.” Drenched in vanilla white, it spotlessly champions minimalism with a strict no-frills attached philosophy. 

Esha Pandya
The living room remains wrapped in luxury with texture paint from Neocoats and wallpaper from Manila by ARTE (Supplied by The Pure Concept Home). Utility meets style with the inclusion of a metal side table from Hatsu; Photography by Suleiman Merchant

 

Esha Pandya
The foyer makes for a grand entrance with textural artwork by Nimrat Narang along with ceiling lights from Terra Trading. The marble flooring from Stone Capital and decorative marble skirting from Classic Marble Company elevate the space. Piccolo Mosaic’s inlay work makes for the perfect border around the arch bases; Photography by Suleiman Merchant

Archways to escapism 

The upscale haven boasts two ensuite bedrooms, a kitchen cum utility area and a living room. Across the dahleez, one is greeted by an esoteric textured painting by Nimrit Narang in the foyer. “It gives a sneak peek into all the materials celebrated throughout the space. Stones, mosaic, linen wallpaper, open-grained wood veneers and soft organic shapes,” Esha explains.

Esha Pandya
The living room connects the entire house with streamlined elements and monotone upholstery from Glammy (Supplied by Pride Furnishings). Neutral-toned accessories from the pair of West Elm vases to Esha Pandya’s bespoke black wall lights add a touch of understated glam; Photography by Suleiman Merchant

 

Esha Pandya
The enormous dining room bathes in sunlight; Photography by Suleiman Merchant

Venturing further into the serene sanctuary, the main bedroom with a walk-in wardrobe on the right commands undivided attention. Meanwhile, two soft-edged arches on the left lead to the living room, complete with bespoke knot sconces. Esha determinedly curated this space to mimic an oasis for immediate escapism. “The sun-filled living room is intentionally designed to draw you towards stillness.”

Esha Pandya
The dining area features dining chairs from Arjunvir Gujral Design Studio. The clay wall finishing from MCM Cladding adds an earthy touch alongside decorative hanging lights from Esha Pandya x Terra Trading; Photography by Suleiman Merchant

 

Esha Pandya
A sliding partition with metallic paint finish from ICA Italian Wood Finishes segregates the dining space and den. Hatsu’s console and table lamps accessorise the space. Studio Palasa planter embraces a plant from Plants World; Photography by Suleiman Merchant

Stellar transformations

The pièce de résistance, though, is the bedroom-turned recreational den comprising a mini library, bar and audiovisual capability. “This multitasking ability, a much-loved quality in tight Bombay apartments, allows the luxury of a larger living space and the ability to host a guest in the transitional third bedroom,” Esha reasons. 

Esha Pandya
The custom-made desk in the main bedroom by Esha Pandya features an elliptical mirror from Arjunvir Gujral Design Studio; Photography by Suleiman Merchant

 

Esha Pandya
A side table and floor light from Hatsu. Vases from AJIO adorn the adjacent walls; Photography by Suleiman Merchant

With reimagined classic interiors, nostalgia beckons at every nexus to offer respite from banal urbanity. Bombay’s bygone era supersedes modern Mumbai’s monotony with elements borrowed from the city’s legacy Art Deco aesthetic. 

Esha Pandya
The custom-made fluted chest of drawers by Esha Pandya makes a case for discreet decor, providing support for minimalist vases from West Elm; Photography by Suleiman Merchant

 

Esha Pandya
The main bedroom features decorative wall lighting from Terra Trading that pairs all too well with the textured paint from Neocoats. West Elm adds its signature contemporary touch with neutral bedding and an asymmetric ceramic bowl; Photography by Suleiman Merchant

Circular mosaic inlay work spreads on the marble floor, while a deco chest of drawers graces the primary bedroom.   

Esha Pandya
The bedroom features black bedside tables from Arjunvir Gujral Design Studio with matching switches by CPL. The bedding is from West Elm. A pair of light fixtures from Terra Trading decorate the wall; Photography by Suleiman Merchant

 

Esha Pandya
The main bedroom boasts a walk-in-wardrobe, complete with a metallic paint finish (on the door and sliding partition) from ICA Italian Wood Finishes and wardrobe laminate from Greenlam. The ceiling wallpaper is from Tapetex (Supplied By Shreejiinnova Wallcoverings); Photography by Suleiman Merchant

Nurtured by Nature

Eager to infuse nature’s tranquil touch, Esha adopted a technique of repetition and barefoot luxury. The tone-on-tone palette and metallic accents echo this very ethos. “A Radermachera plant was embedded in the low baithak placed in the communal heart of the home, to capture the spirit of sitting on a solitary bench in a garden,” she explains. 

Esha Pandya
A powder bathroom adjoining the second den includes an asymmetric wash basin and faucet from Kohler. The taupe tiles from Nexion emit a rustic appeal. The mirror is from Arjunvir Gujral Design Studio; Photography by Suleiman Merchant

 

Esha Pandya
Esha Pandya, the designer of the home lounges in the dining area; Photography by Suleiman Merchant

Ironically, this minimalist space is a happy consequence of practising restraint and letting go of some ideas! “The creative process was like a sieve. Any idea that did not support the design intent was not allowed to pass into the space. What remains is what you get to see!”

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