Design

I couldn’t go back to the 1920s, so I went to Gaylord in Mumbai instead

JUL 13, 2024 | By Chiransha Prasad
The mezzanine is sumptuously decked with wine-red couches and ambient lighting, ideal for a private tete-a-tete, lights by Imamuddin Siddique, furniture by Sattar Ahmed, and execution by Vedraj, Images curated by Mandira Lamba line the walls; Styled by Manu Mansheet, Photography by Vinayak Grover
The al-fresco area is ideal for a cup of coffee or tea, reminiscent of a Parisienne cafe; Photography by Vinayak Grover
The bar is where elements inspired by the restaurant's Art Deco makeover shines the brightest, replete with vintage lamps and latticework; Photography by Vinayak Grover

As the doors close with a gentle woosh, the bustle of Churchgate and Mumbai’s thunderous monsoon ceases to exist beyond the glass doors of Gaylord. Beyond the al fresco dining area, the grandeur of the dining space resembles something straight out of The Great Gatsby.

The space’s universal appeal is starkly apparent. An elderly couple sits in the dining space, video-calling their relatives. The shaky, handheld phone pans the lower dining space, emanating gasps of disbelief over the restaurant’s new look from the other end.  If your company is not the most exciting, all one has to do is look outwards through the latticework and watch the bustling area at a comfortable distance. 

The lower dining space is decked with warm wood, fitted with luxurious chandeliers and lights by Imamuddin Siddique, furniture by Sattar Ahmed,  execution by Vedraj, Images curated by Mandira Lamba decorate the walls; Styled by Manu Mansheet, Photography by Vinayak Grover

Within the restaurant’s plush mezzanine, a mocktail christened Mohabat Sharbat inspired by a popular drink sold in Delhi’s Chandni Chowk on the menu comes as a refreshing interlude. It is lively, even during the odd, sluggish hours after lunch that precede teatime. The restaurant sprawls across 3,750 sq ft, designed by Rohit Sharma and Siddhartha Srivastava of Headlight Design Studio. Its new avatar has been crafted under the aegis of the restaurant’s third-generation owners Dhruv and Divij Lamba. 

The mezzanine is ideal for more intimate gatherings, plush with red couches and seating nooks, with lights by Imamuddin Siddique and furniture by Sattar Ahmed; Photography by Vinayak Grover

All that Jazz and more

In its heyday, the restaurant used to be a buzzing spot for music lovers hosting endless jazz nights and candlelit ballroom dances. Noel D’Souza, the general manager, reminisces about the olden days with a chuckle, stating “They used to say marriages were made in heaven and blessed at Gaylord. That was my favourite line.” He confesses to spending many years watching families meet across the table, the bride’s and the groom’s side bashfully sitting on opposite ends. But it’s not just real stories that took life at Gaylord Mumbai, the space also has its fair share of the reel life ( and no, we’re not talking about the social media frenzy).

The ceiling sports ebony-hued lines wrapping across its expanse, distinctively Art Deco in its appeal; Photography by Sakshi Shrivastava

Old black-and-white photographs dating back to the 1950s of its illustrious visitors line the walls, ranging from Bollywood stalwarts like Rajesh Khanna to fashion icons like Christian Louboutin. One can spot groups of onlookers circling the pictures at any point of the day, engaging in a gripping game of guess-who-that-is trivia. 

Black-and-white pictures curated by Mandira Lamba document famous dignitaries and celebrities who’ve visited Gaylord over the years, lining its walls; Photography by Vinayak Grover

And the way you look tonight

Housing a bakehouse eternally teeming with people to the left, the al-fresco dining area comprises big, beige chairs stationed around wooden tables, with plush, striped couches to the side. A touch of Parisienne chic in Mumbai, a la Churchgate ensues.

The alfresco area is distinctly Parisienne in its appeal, separated from the bustle or Churchgate by intricate latticework; Photography by Vinayak Grover

 

One can catch a glimpse of the dining space from the semi-circular windows, the dining space within emanating a warm glow; Photography by Vinayak Grover

Gigantic, semi-circular windows provide a peek of the warm dining space within as red opera-style curtains line the sides. The lower dining area brims with warmth, well-lit and accompanied by live music reverberating across its expanse. As one climbs upwards into the mezzanine, the lights grow dimmer, the space becomes cosier and a plethora of reds and blacks replace the beiges found downstairs. 

The mezzanine features dim, ambient lighting, with darker hues reigning supreme within the decadent space; Photography by Vinayak Grover

Mirrors and stained glass windows have been affixed to the ceiling, drawing eyes upwards. The bar is a plush, glossy addition that is distinctly Art Deco in its appeal. Black and white cabinets sport hints of gold, lit aglow by tiny lamps positioned in between. As one walks through the space, it is clear — the roaring twenties are roaring again, indeed.

The bar features rattan-backed chairs and a black-and-white bar, metallic accents elevating its appeal further, lights by Imamuddin Siddique, furniture by Sattar Ahmed; Photography by Vinayak Grover

Out of the box

Within the menu, Mahesh Solanki, head mixologist at Gaylord, has chosen Indian spices and delicacies to infuse your poison of choice with a desi twist. From turmeric and sandalwood syrup to your favourite Banarasi paan, indulge in cocktails and mocktails that derive inspiration from India’s famous (and incredibly sought-after, as history would prove) spices and flavours. 

Presentation reigns supreme with the Cinnamon Old Fashioned drink, accompanied with cinnamon flavoured smoke; Photography by Vinayak Grover

 

The Mohabat Sharbat mocktail is a fizzy rendition of the original drink popular amongst the bylanes of Chandni Chowk in Delhi; Photography by Vinayak Grover

As for the food, Gaylord retains its place as a purveyor of the classics once again, armed with a few new additions to seal the deal. A British classic, their Fish and Chips are a mouthwatering duo, accompanied by a plethora of English staples such as Vegetarian club sandwiches and a mammoth-sized portion of juicy roast chicken and bacon. 

The sumptuous breakfast options are tailored to deliver an invigorating (and filling) start to the day; Photography by Vinayak Grover

However, the Masala lamb chops hailing from the Indian menu came packing a flavourful punch that even our ancestors would be proud of. A new addition making the rounds is the “Lobster Thermidor, bathed in a decadent mushroom cream sauce,” as the founding duo Dhruv and Divij describe — a suggestion we will certainly be circling back to.

The menu sports a wide array of dishes, its classic selection now including newer delicacies like the Lobster Thermidor; Photography by Vinayak Grover

Keeping with the times, these changes seek to usher in a new era that is certainly one for the books. Or as the younger crowd would say — the chefs are cooking, the mixologists are mixing, and Gaylord is well, ehm, Gaylording like never before. 

Now read: Hot batch of tacos and craft cocktails! 13 new restaurants in India to cure your monsoon blues