Homes

Artist Manisha Gera Baswani opens the doors to her eclectic abode

MAR 2, 2020 | By Sonia Dutt and Aneesha Bhadri
A wall of the drawing room is characterised by a large canvas by Gopi Krishna that has been placed behind an old Kerala table painted red by Manisha. The corner on the right has a large rectangular canvas by Probir Gupta and an earthern pendant lamp from A Cube Inc design studio. A lamp made by the homeowner herself using a sh palm tree is suspended from the ceiling on the left above furniture upholstered by Toile Indienne. Other works by Sheila Makhi- jani, Lalu Prasad Shaw and Aisha Khalid adorn the space. A blue side table from Anantaya sits in the foreground; Produced by Sonia Dutt; Photographs by Ankush Maria
A sculpture from the gift shop at the National Museum in New Delhi is placed on a book about Egon Schiele; Produced by Sonia Dutt; Photographs by Ankush Maria
Manisha’s aviary in the balcony houses 18 birds; Produced by Sonia Dutt; Photographs by Ankush Maria

As a practising artist who works from home, I am unsure where my studio begins and home ends,” says artist Manisha Gera Baswani, when giving us the first glimpse into her Gurugram home, which she shares with husband Rahul Baswani.

“Contemporary Indian art has been lovingly collected by Rahul and juxtaposed against indigenous crafts and nature’s bounty. Chunks of wasps and bees hives, plant seeds gathered during morning walks, feathers from the floor of the aviary, and shimmering dark rocks picked on an arduous trek—all form the extended Baswani family, which appears to be in a constant state of flux to the music of the many budgies in our aviary,” she explains.

The Delhi based creative paints a mesmerising picture of her home. Her 5,000 sq ft abode unfolds like a patchwork narrative held together with the melodious strains of her artistic sensibilities. The entryway opens into a spacious lobby that sets the tone for the rest of the house—portions of wasp hives and seeds lie in two rustic baskets on one side, while a large painting by Manisha, hangs on another wall. A breathtaking assortment of artworks, both old and contemporary—as well as curios such as maquettes from the Indus Valley Civilisation—abound the apartment, lending colour and character to the setting.

Above the head jamb are old glass paintings bought from Jew Town Kochi. Bronze sculptures by Himmat Shah and bougainvillea owers from Good Earth decorate the balcony, whose bright wall is studded with a discarded TV circuit board; Produced by Sonia Dutt; Photographs by Ankush Maria

 

The drawing room houses a bagh embroidered chadar made by Manisha’s ancestor for her grandmother’s wedding. The sofa with Shades of India cushions is upholstered by Toile Indienne. Next to the bagh, paintings by Manisha, Zarina Hashmi, V Ramesh and Surendran Nair are mounted. On the far right, the sculpture near the Lamp of Allaudin Khan is made by Sarbari Roy Chowdhury. A cane seater by Good Earth is seen in the foreground; Produced by Sonia Dutt; Photographs by Ankush Maria

 

A table near the aviary holds glasses by Good Earth, a small print by A Balasubramaniam and napkins from Shades of India; Produced by Sonia Dutt; Photographs by Ankush Maria

Two bedrooms, a drawing room, studio and kitchen complete the space. Plus, all rooms have an attached balcony, decorated with bamboo, bougainvillea and champa. “I see my house as one big canvas, where I put various objects and weave stories around them,” says Manisha.

Wall mounted miniature paintings mark the transition from the lobby to the drawing room, which is a cornucopia of arts and crafts. A comfy sofa and armchairs, upholstered in vibrant textiles from Toile Indienne, occupy one side, surrounded by artefacts and works such as a wooden statue of Christ, ceramic objets and flowers made of shells collected in Goa.

On the other side of the room, a Kerala table painted red by the homeowner holds curios found at Bangkok’s Chatuchak Market, along with glimmering mountain rocks. An otherworldy piece suspended from the ceiling, made by the artist herself using a part of the sh palm tree, casts yellow light. Sunlight streams in through a balcony that houses thriving bamboo stalks and an aviary. A table is placed next to it and the wall above is lined with antique glass paintings. “Second to my studio, this is my favourite spot. The sight of birds going about their daily routine is very therapeutic,” says the artist.

 

Conte and pencil works by Anjana Mehra are mounted above the bed, which comprises a headrest by Toile Indienne as well as bedcover and cushions from Shades of India. On the left, a big ink and watercolour painting by K Subramanian and two smaller ones by Rahul Baswani decorate the wall; Produced by Sonia Dutt; Photographs by Ankush Maria

 

A clay sculpture from Jew Town Kochi is placed in front of a black ink drawing by Himmat Shah; Produced by Sonia Dutt; Photographs by Ankush Maria

 

Brooms made in jute and some wooden craft items from all over the world hang behind the yellow bathroom door; Produced by Sonia Dutt; Photographs by Ankush Maria